One More Time with Feeling
2016 · 113 min · Director: Andrew Dominik
Show plot summary (may contain spoilers)
A meditation narrative reflection of Nick Cave's process. A history that resists the narrative structure and shows the poet grasping at sensual intuitions. Filmed lovingly and richly raw that showcases the imperfections and hesitant fits of existence. This is a portrait of a self-portrait and the viewer can get lost and/or bored in this hall of mirrors music doc. Enter at your own risk.
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Emotional fingerprint
One More Time with Feeling (2016) — Movie. Top emotional signals: Melancholy 35%, Sadness 30%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Sadness30%
- Empathy20%
- Curiosity15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Empathy. Genres: Documentary, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Empathy. Its IMDb rating of 8.2/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 76/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Melancholy
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Melancholy | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Melancholy | 37 % | 20 % | 32 % | 27 % |
| 7.5 % | ≈ 8′ | Melancholy | 35 % | 14 % | 26 % | 24 % |
| 12.5 % | ≈ 14′ | Humor | 43 % | 20 % | 31 % | 28 % |
| 17.5 % | ≈ 20′ | Melancholy | 51 % | 34 % | 45 % | 35 % |
| 22.5 % | ≈ 25′ | Melancholy | 47 % | 33 % | 43 % | 38 % |
| 27.5 % | ≈ 31′ | Empathy | 46 % | 31 % | 38 % | 38 % |
| 32.5 % | ≈ 37′ | Melancholy | 54 % | 44 % | 50 % | 40 % |
| 37.5 % | ≈ 42′ | Melancholy | 63 % | 51 % | 59 % | 40 % |
| 42.5 % | ≈ 48′ | Melancholy | 59 % | 35 % | 44 % | 29 % |
| 47.5 % | ≈ 54′ | Humor | 46 % | 15 % | 26 % | 19 % |
| 52.5 % | ≈ 59′ | Melancholy | 43 % | 21 % | 31 % | 26 % |
| 57.5 % | ≈ 65′ | Melancholy | 49 % | 40 % | 41 % | 40 % |
| 62.5 % | ≈ 71′ | Sadness | 60 % | 55 % | 45 % | 54 % |
| 67.5 % | ≈ 76′ | Sadness | 73 % | 68 % | 54 % | 69 % |
| 72.5 % | ≈ 82′ | Sadness | 79 % | 75 % | 64 % | 74 % |
| 77.5 % | ≈ 88′ | Sadness | 83 % | 78 % | 66 % | 76 % |
| 82.5 % | ≈ 93′ | Empathy | 82 % | 73 % | 63 % | 79 % |
| 87.5 % | ≈ 99′ | Sadness | 79 % | 70 % | 64 % | 76 % |
| 92.5 % | ≈ 105′ | Sadness | 80 % | 70 % | 66 % | 75 % |
| 97.5 % | ≈ 110′ | Empathy | 80 % | 65 % | 63 % | 75 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Self
Self
Self
Self
Self
Details
- Directed by
- Andrew Dominik
- Type
- Movies
- Released
- 2016
- Runtime
- 113 min
- Country
- United Kingdom, France
- Genres
- Documentary, Music
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Rent
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