Pieles
2017 · 78 min · Director: Eduardo Casanova
Show plot summary (may contain spoilers)
In a strange world where people share numerous deformities, the same problem we all face challenges each of them: to find someone who accepts you as you are. Sometimes, that means finding yourself first.
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Emotional fingerprint
Pieles (2017) — Movie. Top emotional signals: Empathy 30%, Melancholy 25%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Melancholy25%
- Sadness15%
- Hope15%
- Confusion15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Melancholy, Sadness. Genres: Comedy, Drama, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Melancholy and Sadness. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Disturbing | 70 % | 28 % | 22 % | 70 % |
| 7.5 % | ≈ 6′ | Disturbing | 75 % | 32 % | 33 % | 75 % |
| 12.5 % | ≈ 10′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 17.5 % | ≈ 14′ | Tension | 85 % | 77 % | 58 % | 57 % |
| 22.5 % | ≈ 18′ | Sadness | 79 % | 73 % | 63 % | 41 % |
| 27.5 % | ≈ 21′ | Empathy | 73 % | 64 % | 52 % | 48 % |
| 32.5 % | ≈ 25′ | Tension | 71 % | 60 % | 45 % | 53 % |
| 37.5 % | ≈ 29′ | Empathy | 65 % | 60 % | 43 % | 34 % |
| 42.5 % | ≈ 33′ | Empathy | 66 % | 61 % | 48 % | 36 % |
| 47.5 % | ≈ 37′ | Disturbing | 73 % | 63 % | 54 % | 50 % |
| 52.5 % | ≈ 41′ | Empathy | 70 % | 64 % | 53 % | 40 % |
| 57.5 % | ≈ 45′ | Sadness | 71 % | 68 % | 63 % | 31 % |
| 62.5 % | ≈ 49′ | Sadness | 76 % | 70 % | 74 % | 39 % |
| 67.5 % | ≈ 53′ | Sadness | 76 % | 65 % | 63 % | 51 % |
| 72.5 % | ≈ 57′ | Tension | 76 % | 63 % | 46 % | 55 % |
| 77.5 % | ≈ 60′ | Empathy | 76 % | 69 % | 45 % | 44 % |
| 82.5 % | ≈ 64′ | Empathy | 76 % | 73 % | 54 % | 40 % |
| 87.5 % | ≈ 68′ | Sadness | 79 % | 69 % | 60 % | 40 % |
| 92.5 % | ≈ 72′ | Hope | 71 % | 54 % | 53 % | 18 % |
| 97.5 % | ≈ 76′ | Sadness | 58 % | 38 % | 47 % | 0 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Vanesa
Christian
Mikel
Young Man 1
Madame
Regidor
Girl's Mother
Details
- Directed by
- Eduardo Casanova
- Written by
- Eduardo Casanova
- Type
- Movies
- Released
- 2017
- Runtime
- 78 min
- Country
- Spain
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





