The Woman Who Left
2016 · 229 min · Director: Lav Diaz
Show plot summary (may contain spoilers)
After 30 years of wrongful imprisonment, a woman plans to take revenge on her former lover.
Emotional fingerprint
The Woman Who Left (2016) — Movie. Top emotional signals: Melancholy 35%, Sadness 25%, Guilt 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Sadness25%
- Guilt15%
- Tension15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Guilt. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Guilt. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Melancholy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Melancholy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 6′ | Melancholy | 43 % | 35 % | 32 % | 30 % |
| 7.5 % | ≈ 17′ | Empathy | 55 % | 49 % | 44 % | 43 % |
| 12.5 % | ≈ 29′ | Melancholy | 66 % | 63 % | 59 % | 56 % |
| 17.5 % | ≈ 40′ | Sadness | 64 % | 60 % | 55 % | 50 % |
| 22.5 % | ≈ 52′ | Tension | 54 % | 50 % | 36 % | 31 % |
| 27.5 % | ≈ 63′ | Empathy | 53 % | 48 % | 30 % | 25 % |
| 32.5 % | ≈ 74′ | Tension | 53 % | 43 % | 32 % | 27 % |
| 37.5 % | ≈ 86′ | Empathy | 53 % | 36 % | 31 % | 24 % |
| 42.5 % | ≈ 97′ | Tension | 53 % | 34 % | 28 % | 21 % |
| 47.5 % | ≈ 109′ | Empathy | 51 % | 38 % | 25 % | 21 % |
| 52.5 % | ≈ 120′ | Tension | 59 % | 45 % | 28 % | 19 % |
| 57.5 % | ≈ 132′ | Tension | 70 % | 56 % | 43 % | 25 % |
| 62.5 % | ≈ 143′ | Sadness | 79 % | 73 % | 65 % | 40 % |
| 67.5 % | ≈ 155′ | Sadness | 81 % | 80 % | 74 % | 46 % |
| 72.5 % | ≈ 166′ | Empathy | 76 % | 75 % | 65 % | 48 % |
| 77.5 % | ≈ 177′ | Melancholy | 70 % | 65 % | 50 % | 50 % |
| 82.5 % | ≈ 189′ | Empathy | 71 % | 61 % | 45 % | 45 % |
| 87.5 % | ≈ 200′ | Empathy | 74 % | 59 % | 50 % | 46 % |
| 92.5 % | ≈ 212′ | Melancholy | 71 % | 51 % | 55 % | 63 % |
| 97.5 % | ≈ 223′ | Melancholy | 72 % | 48 % | 60 % | 75 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Woman Who Left. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Horacia Somorostro / Renata
Rodrigo Trinidad
Minerva
Priest
Petra
Warden
Mameng
Dading
Taba
Nena
Harry
Details
- Directed by
- Lav Diaz
- Written by
- Lev Tolstoy, Lav Diaz
- Type
- Movies
- Released
- 2016
- Runtime
- 229 min
- Country
- Philippines
- Genres
- Drama
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Subscription
Rent
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