The Last Descent
2016 · 105 min · Director: Isaac Halasima
Show plot summary (may contain spoilers)
After entering an unexplored cave, John Jones gets stuck in a 150-foot-deep hole.
Emotional fingerprint
The Last Descent (2016) — Movie. Top emotional signals: Fear 40%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Anxiety. Its IMDb rating of 5.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 43 % | 17 % | 35 % | 10 % |
| 7.5 % | ≈ 8′ | Love | 43 % | 17 % | 28 % | 23 % |
| 12.5 % | ≈ 13′ | Love | 55 % | 30 % | 26 % | 47 % |
| 17.5 % | ≈ 18′ | Tension | 71 % | 50 % | 23 % | 67 % |
| 22.5 % | ≈ 24′ | Tension | 75 % | 60 % | 19 % | 72 % |
| 27.5 % | ≈ 29′ | Tension | 76 % | 61 % | 19 % | 73 % |
| 32.5 % | ≈ 34′ | Tension | 78 % | 65 % | 15 % | 76 % |
| 37.5 % | ≈ 39′ | Tension | 75 % | 65 % | 21 % | 71 % |
| 42.5 % | ≈ 45′ | Empathy | 68 % | 62 % | 31 % | 60 % |
| 47.5 % | ≈ 50′ | Empathy | 64 % | 57 % | 36 % | 50 % |
| 52.5 % | ≈ 55′ | Love | 63 % | 48 % | 50 % | 36 % |
| 57.5 % | ≈ 60′ | Love | 68 % | 50 % | 55 % | 39 % |
| 62.5 % | ≈ 66′ | Tension | 73 % | 58 % | 48 % | 54 % |
| 67.5 % | ≈ 71′ | Love | 75 % | 63 % | 60 % | 55 % |
| 72.5 % | ≈ 76′ | Love | 80 % | 73 % | 62 % | 57 % |
| 77.5 % | ≈ 81′ | Empathy | 83 % | 78 % | 47 % | 63 % |
| 82.5 % | ≈ 87′ | Hope | 85 % | 79 % | 53 % | 75 % |
| 87.5 % | ≈ 92′ | Sadness | 91 % | 84 % | 69 % | 70 % |
| 92.5 % | ≈ 97′ | Love | 93 % | 87 % | 80 % | 46 % |
| 97.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Last Descent. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Susie
Josh
Young Man in Dark
Old Man in Dark
Details
- Directed by
- Isaac Halasima
- Written by
- Isaac Halasima
- Type
- Movies
- Released
- 2016
- Runtime
- 105 min
- Country
- United States
- Genres
- Drama
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Free
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