The Princess and the Matchmaker
2018 · 110 min · Director: Hong Chang-Pyo
Show plot summary (may contain spoilers)
Princess Songhwa refuses her fate of marrying someone who matches her marital harmony. There are 4 men on her future husband list with different fate signs. Refusing her fate, she decides to leave the palace and find her husband by herself. Seo Do Yoon is a person who interprets marital harmony signs. He is very skilled at his craft and, consequently, selected as the one to read the marital harmony signs between Princess Songhwa and the 4 men on her husband list.
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Emotional fingerprint
The Princess and the Matchmaker (2018) — Movie. Top emotional signals: Humor 30%, Love 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Excitement20%
- Anticipation15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Excitement. Genres: Comedy, Romance, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Excitement. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Love
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Love | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 17 % | 3 % | 0 % |
| 7.5 % | ≈ 8′ | Sadness | 43 % | 19 % | 4 % | 1 % |
| 12.5 % | ≈ 14′ | Humor | 45 % | 23 % | 9 % | 3 % |
| 17.5 % | ≈ 19′ | Humor | 44 % | 30 % | 10 % | 1 % |
| 22.5 % | ≈ 25′ | Sadness | 44 % | 33 % | 5 % | 3 % |
| 27.5 % | ≈ 30′ | Sadness | 42 % | 26 % | 8 % | 6 % |
| 32.5 % | ≈ 36′ | Humor | 43 % | 19 % | 16 % | 10 % |
| 37.5 % | ≈ 41′ | Humor | 48 % | 13 % | 20 % | 11 % |
| 42.5 % | ≈ 47′ | Humor | 52 % | 15 % | 18 % | 5 % |
| 47.5 % | ≈ 52′ | Humor | 54 % | 24 % | 21 % | 1 % |
| 52.5 % | ≈ 58′ | Love | 52 % | 33 % | 30 % | 4 % |
| 57.5 % | ≈ 63′ | Tension | 58 % | 50 % | 23 % | 4 % |
| 62.5 % | ≈ 69′ | Tension | 70 % | 56 % | 23 % | 10 % |
| 67.5 % | ≈ 74′ | Love | 70 % | 46 % | 33 % | 18 % |
| 72.5 % | ≈ 80′ | Tension | 69 % | 55 % | 21 % | 14 % |
| 77.5 % | ≈ 85′ | Tension | 74 % | 71 % | 15 % | 14 % |
| 82.5 % | ≈ 91′ | Tension | 78 % | 74 % | 33 % | 18 % |
| 87.5 % | ≈ 96′ | Love | 81 % | 60 % | 56 % | 34 % |
| 92.5 % | ≈ 102′ | Relief | 83 % | 42 % | 68 % | 60 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Yoon Shi-kyung
Kang Hwi
Young-bin
Princess Yeohee
Sang-moon
Deok-gu
Kim's Daughter
Gisaeng 4
Baek-yi
Namchiho House kid #4
Details
- Directed by
- Hong Chang-Pyo
- Written by
- Lee So-mi
- Type
- Movies
- Released
- 2018
- Runtime
- 110 min
- Country
- South Korea
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





