The Aftermath
2019 · 108 min · Director: James Kent
Show plot summary (may contain spoilers)
Set in postwar Germany in 1946, Rachael Morgan (Keira Knightley) arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis (Jason Clarke), a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower (Alexander Skarsgård) and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
Emotional fingerprint
The Aftermath (2019) — Movie. Top emotional signals: Melancholy 30%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Empathy25%
- Love20%
- Anxiety15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Love. Genres: Drama, Romance, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Love. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 42 % | 33 % | 32 % | 33 % |
| 7.5 % | ≈ 8′ | Hope | 43 % | 30 % | 31 % | 35 % |
| 12.5 % | ≈ 14′ | Tension | 52 % | 30 % | 34 % | 46 % |
| 17.5 % | ≈ 19′ | Tension | 52 % | 28 % | 33 % | 49 % |
| 22.5 % | ≈ 24′ | Tension | 49 % | 29 % | 30 % | 44 % |
| 27.5 % | ≈ 30′ | Sadness | 55 % | 40 % | 38 % | 45 % |
| 32.5 % | ≈ 35′ | Sadness | 63 % | 48 % | 44 % | 53 % |
| 37.5 % | ≈ 41′ | Tension | 62 % | 40 % | 34 % | 56 % |
| 42.5 % | ≈ 46′ | Tension | 61 % | 41 % | 35 % | 55 % |
| 47.5 % | ≈ 51′ | Sadness | 67 % | 57 % | 52 % | 57 % |
| 52.5 % | ≈ 57′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 57.5 % | ≈ 62′ | Sadness | 90 % | 72 % | 70 % | 43 % |
| 62.5 % | ≈ 68′ | Tension | 83 % | 46 % | 50 % | 54 % |
| 67.5 % | ≈ 73′ | Hope | 67 % | 29 % | 34 % | 45 % |
| 72.5 % | ≈ 78′ | Hope | 61 % | 40 % | 38 % | 48 % |
| 77.5 % | ≈ 84′ | Sadness | 77 % | 64 % | 56 % | 73 % |
| 82.5 % | ≈ 89′ | Tension | 90 % | 78 % | 73 % | 71 % |
| 87.5 % | ≈ 95′ | Sadness | 90 % | 82 % | 80 % | 47 % |
| 92.5 % | ≈ 100′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 105′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Freda Lubert
Heike
Michael Morgan
Captain Thompson
Captain Eliot
Wilkins
Mother on Train
German Woman
British Captain
Details
- Directed by
- James Kent
- Written by
- Joe Shrapnel, Anna Waterhouse, Rhidian Brook
- Type
- Movies
- Released
- 2019
- Runtime
- 108 min
- Country
- United Arab Emirates, United States, Germany
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Subscription
Rent
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