Ordinary Love
2019 · 92 min · Director: Lisa Barros D'Sa, Glenn Leyburn
Show plot summary (may contain spoilers)
Joan and Tom have been married for many years. There is an ease to their relationship which comes from spending a lifetime together, a depth of love which expresses itself through tenderness and humour. When Joan is diagnosed with breast cancer, the course of her treatment shines a light on their relationship; they are faced with the challenges of what might happen. ORDINARY LOVE is a story about love, survival, and epic questions about life.
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Emotional fingerprint
Ordinary Love (2019) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Anxiety
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 48 % | 3 % | 22 % | 42 % |
| 7.5 % | ≈ 7′ | Anxiety | 51 % | 9 % | 31 % | 35 % |
| 12.5 % | ≈ 12′ | Anxiety | 54 % | 18 % | 40 % | 28 % |
| 17.5 % | ≈ 16′ | Anxiety | 63 % | 35 % | 50 % | 35 % |
| 22.5 % | ≈ 21′ | Anxiety | 76 % | 61 % | 66 % | 59 % |
| 27.5 % | ≈ 25′ | Sadness | 83 % | 79 % | 77 % | 71 % |
| 32.5 % | ≈ 30′ | Sadness | 80 % | 78 % | 76 % | 57 % |
| 37.5 % | ≈ 35′ | Anxiety | 75 % | 59 % | 65 % | 38 % |
| 42.5 % | ≈ 39′ | Anxiety | 73 % | 46 % | 59 % | 29 % |
| 47.5 % | ≈ 44′ | Sadness | 74 % | 57 % | 66 % | 31 % |
| 52.5 % | ≈ 48′ | Empathy | 71 % | 60 % | 69 % | 44 % |
| 57.5 % | ≈ 53′ | Love | 69 % | 51 % | 66 % | 53 % |
| 62.5 % | ≈ 58′ | Empathy | 74 % | 56 % | 73 % | 53 % |
| 67.5 % | ≈ 62′ | Empathy | 77 % | 66 % | 77 % | 54 % |
| 72.5 % | ≈ 67′ | Sadness | 76 % | 65 % | 74 % | 57 % |
| 77.5 % | ≈ 71′ | Love | 76 % | 63 % | 70 % | 61 % |
| 82.5 % | ≈ 76′ | Sadness | 80 % | 74 % | 74 % | 64 % |
| 87.5 % | ≈ 81′ | Sadness | 76 % | 66 % | 70 % | 66 % |
| 92.5 % | ≈ 85′ | Love | 67 % | 40 % | 58 % | 65 % |
| 97.5 % | ≈ 90′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Doctor
Aggressive Man
Glamorous Woman
Surgeon
Anxious Woman
Saleswoman
Woman #1
Receptionist
Woman #2
Sales Assistant
Chemo Nurse
Checkout Girl
TV Football Commentator (voice)
Details
- Directed by
- Lisa Barros D'Sa, Glenn Leyburn
- Written by
- Owen McCafferty
- Type
- Movies
- Released
- 2019
- Runtime
- 92 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





