Blue Spring Ride
2014 · 122 min · Director: Takahiro Miki
Show plot summary (may contain spoilers)
When she was in middle school, Yoshioka Futaba met Tanaka Kou whom she had mutual love. After Kou moved to Nagaski with his late mother, Futaba lost contact with him. In her first-year of high school, she met Kou who's now carrying the name "Mabuchi", who is now stoic, cold, and totally different from the gentle Kou he met in middle-school.
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Emotional fingerprint
Blue Spring Ride (2014) — Movie. Top emotional signals: Melancholy 30%, Love 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Love25%
- Anxiety20%
- Anticipation15%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Love, Anxiety. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Love and Anxiety. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 42 % | 35 % | 18 % | 22 % |
| 7.5 % | ≈ 9′ | Love | 44 % | 31 % | 27 % | 23 % |
| 12.5 % | ≈ 15′ | Hope | 44 % | 23 % | 25 % | 33 % |
| 17.5 % | ≈ 21′ | Hope | 44 % | 23 % | 13 % | 44 % |
| 22.5 % | ≈ 27′ | Hope | 46 % | 34 % | 10 % | 43 % |
| 27.5 % | ≈ 34′ | Love | 48 % | 38 % | 21 % | 29 % |
| 32.5 % | ≈ 40′ | Sadness | 57 % | 35 % | 48 % | 21 % |
| 37.5 % | ≈ 46′ | Sadness | 69 % | 40 % | 63 % | 30 % |
| 42.5 % | ≈ 52′ | Love | 61 % | 44 % | 48 % | 36 % |
| 47.5 % | ≈ 58′ | Love | 56 % | 46 % | 32 % | 34 % |
| 52.5 % | ≈ 64′ | Love | 64 % | 51 % | 34 % | 34 % |
| 57.5 % | ≈ 70′ | Tension | 68 % | 46 % | 48 % | 29 % |
| 62.5 % | ≈ 76′ | Sadness | 65 % | 39 % | 57 % | 24 % |
| 67.5 % | ≈ 82′ | Sadness | 59 % | 40 % | 50 % | 31 % |
| 72.5 % | ≈ 88′ | Love | 56 % | 43 % | 43 % | 39 % |
| 77.5 % | ≈ 95′ | Sadness | 66 % | 48 % | 56 % | 43 % |
| 82.5 % | ≈ 101′ | Sadness | 77 % | 57 % | 74 % | 48 % |
| 87.5 % | ≈ 107′ | Sadness | 79 % | 66 % | 63 % | 55 % |
| 92.5 % | ≈ 113′ | Love | 68 % | 57 % | 33 % | 55 % |
| 97.5 % | ≈ 119′ | Hope | 48 % | 32 % | 13 % | 43 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Makita Yūri
Tanaka Yōichi
Young Yoshioka Futaba
Tanaka Kou
Young Narumi Yui
Kou and Yōichi's Mother
Details
- Directed by
- Takahiro Miki
- Written by
- Tomoko Yoshida, Io Sakisaka
- Type
- Movies
- Released
- 2014
- Runtime
- 122 min
- Country
- Japan
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





