The Trip to Spain
2017 · 115 min · Director: Michael Winterbottom
Show plot summary (may contain spoilers)
Due to the success of the first two trips to Northern England and Italy, the Guardian, this time in conjunction with the New York Times, asks Steve Coogan to write restaurant reviews from another week long trip, this time through Spain. Rob Brydon, Steve's companion on the other two trips, is already aware of the trip, and agrees to go in favoring it over the alternative. Beyond Steve's planned itinerary which will take them south through the center of the country to mirror a trip he did when he was eighteen, they will necessarily embark on some Don Quixote/ Sancho Panza escapades due in part to the current Terry Gilliam movie project on the pair. Like the other two trips, Steve and Rob are accompanied by a plethora of celebrities, from Mick Jagger to Michael Caine to Hugh Grant to a pair of Bonds in the form of their impersonations, but unlike those other two trips, both seem centered and grounded in all aspects of their lives. Rob is settled in his life as loving husband to Sally and father to Chloe and Charlie, while Steve is riding a high with a pair of recent Oscar nominations, being in a committed albeit long distance relationship with New York based Mischa, and having a renewed relationship with his now twenty year old son Jonathan, who will join him at the end of the trip in southern Spain. As the trip progresses, Steve ends up quietly having to deal with crisis after crisis in both his professional and personal life.
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Emotional fingerprint
The Trip to Spain (2017) — Movie. Top emotional signals: Humor 40%, Nostalgia 20%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Nostalgia20%
- Surprise15%
- Satisfaction15%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Nostalgia, Surprise. Genres: Comedy, Drama, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Nostalgia and Surprise. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Melancholy
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Melancholy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Melancholy | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 41 % | 40 % | 7 % | 23 % |
| 7.5 % | ≈ 9′ | Humor | 40 % | 38 % | 13 % | 25 % |
| 12.5 % | ≈ 14′ | Humor | 38 % | 34 % | 21 % | 23 % |
| 17.5 % | ≈ 20′ | Humor | 43 % | 39 % | 19 % | 21 % |
| 22.5 % | ≈ 26′ | Humor | 50 % | 48 % | 8 % | 25 % |
| 27.5 % | ≈ 32′ | Humor | 49 % | 48 % | 10 % | 28 % |
| 32.5 % | ≈ 37′ | Humor | 48 % | 48 % | 20 % | 26 % |
| 37.5 % | ≈ 43′ | Humor | 49 % | 51 % | 19 % | 26 % |
| 42.5 % | ≈ 49′ | Humor | 51 % | 54 % | 14 % | 28 % |
| 47.5 % | ≈ 55′ | Humor | 51 % | 54 % | 13 % | 24 % |
| 52.5 % | ≈ 60′ | Humor | 46 % | 48 % | 13 % | 21 % |
| 57.5 % | ≈ 66′ | Humor | 43 % | 44 % | 13 % | 28 % |
| 62.5 % | ≈ 72′ | Humor | 47 % | 49 % | 14 % | 33 % |
| 67.5 % | ≈ 78′ | Humor | 50 % | 53 % | 18 % | 27 % |
| 72.5 % | ≈ 83′ | Humor | 50 % | 53 % | 19 % | 21 % |
| 77.5 % | ≈ 89′ | Humor | 52 % | 49 % | 24 % | 20 % |
| 82.5 % | ≈ 95′ | Melancholy | 54 % | 38 % | 38 % | 18 % |
| 87.5 % | ≈ 101′ | Love | 52 % | 26 % | 44 % | 19 % |
| 92.5 % | ≈ 106′ | Melancholy | 51 % | 22 % | 43 % | 25 % |
| 97.5 % | ≈ 112′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Yolanda
Busker
Joe
Chloe
Charlie
Aurore
Altamira Cave Guide
Txoko Waiter
Waitress in Bar
Details
- Directed by
- Michael Winterbottom
- Written by
- Michael Winterbottom
- Type
- Movies
- Released
- 2017
- Runtime
- 115 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Free
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