Invisible Life
2019 · 140 min · Director: Karim Aïnouz
Show plot summary (may contain spoilers)
Set in 1950s Rio de Janeiro, the film revolves around two sisters, living restricted lives with their conservative parents. However, each nourishes a passionate dream: Eurídice of becoming a renowned pianist; Guida of finding love. In a dramatic turn of events, they are separated and forced to live apart. They take control of their destinies, while never giving up hope of finding one another.
Emotional fingerprint
Invisible Life (2019) — Movie. Top emotional signals: Melancholy 30%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Sadness25%
- Empathy20%
- Hope15%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Empathy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Empathy. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Sadness | 48 % | 28 % | 32 % | 33 % |
| 7.5 % | ≈ 11′ | Love | 49 % | 19 % | 30 % | 40 % |
| 12.5 % | ≈ 18′ | Love | 54 % | 19 % | 35 % | 38 % |
| 17.5 % | ≈ 25′ | Tension | 60 % | 30 % | 46 % | 28 % |
| 22.5 % | ≈ 32′ | Sadness | 70 % | 53 % | 63 % | 28 % |
| 27.5 % | ≈ 39′ | Sadness | 83 % | 74 % | 79 % | 26 % |
| 32.5 % | ≈ 46′ | Sadness | 83 % | 75 % | 81 % | 23 % |
| 37.5 % | ≈ 53′ | Empathy | 75 % | 64 % | 74 % | 25 % |
| 42.5 % | ≈ 60′ | Empathy | 71 % | 56 % | 69 % | 29 % |
| 47.5 % | ≈ 67′ | Empathy | 70 % | 58 % | 69 % | 30 % |
| 52.5 % | ≈ 74′ | Empathy | 75 % | 66 % | 73 % | 31 % |
| 57.5 % | ≈ 81′ | Sadness | 74 % | 61 % | 65 % | 31 % |
| 62.5 % | ≈ 88′ | Tension | 64 % | 45 % | 53 % | 35 % |
| 67.5 % | ≈ 95′ | Sadness | 69 % | 54 % | 61 % | 44 % |
| 72.5 % | ≈ 102′ | Sadness | 81 % | 69 % | 75 % | 39 % |
| 77.5 % | ≈ 109′ | Empathy | 88 % | 74 % | 79 % | 30 % |
| 82.5 % | ≈ 116′ | Sadness | 89 % | 80 % | 81 % | 39 % |
| 87.5 % | ≈ 123′ | Sadness | 86 % | 81 % | 81 % | 53 % |
| 92.5 % | ≈ 130′ | Sadness | 89 % | 84 % | 81 % | 65 % |
| 97.5 % | ≈ 137′ | Sadness | 93 % | 88 % | 83 % | 75 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Invisible Life. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Filomena
Manoel
Zélia
Iorgus
Tonico
Moisés
Amira
Douglas
Laerte
Feliciano
Nara
Dayse
Details
- Directed by
- Karim Aïnouz
- Written by
- Karim Aïnouz, Murilo Hauser, Inés Bortagaray
- Type
- Movies
- Released
- 2019
- Runtime
- 140 min
- Country
- Brazil, Germany
- Genres
- Drama
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
