feeldb

Asphalt Burning

2020 · 100 min · Director: Hallvard Bræin ★ IMDb 5.2 · 3,130 ratings

Show plot summary (may contain spoilers)

The third and final installment in the Burnout trilogy. This time, the road leads through Norway, to Sweden, Denmark and finally Germany to race on the famous racing track, Nürburgring.

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Emotional fingerprint

Asphalt Burning (2020) — Movie. Top emotional signals: Excitement 35%, Humor 30%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor30%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Humor, Anticipation. Genres: Comedy, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Humor and Anticipation. Its IMDb rating of 5.2/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.

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Emotional journey

AI · from subtitles
  • Excitement
  • Humor
  • Joy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Joy

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Excitement

Excitement
Humor
Joy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 28 %, then peaks around 88 %, then dips around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityExcitementHumorJoy
2.5 %≈ 3′Joy47 %23 %38 %35 %
7.5 %≈ 8′Humor48 %25 %36 %21 %
12.5 %≈ 13′Tension51 %26 %36 %10 %
17.5 %≈ 18′Humor50 %23 %40 %16 %
22.5 %≈ 23′Humor44 %20 %40 %25 %
27.5 %≈ 28′Humor38 %16 %35 %21 %
32.5 %≈ 33′Humor39 %12 %35 %13 %
37.5 %≈ 38′Humor48 %20 %41 %10 %
42.5 %≈ 43′Humor54 %33 %43 %13 %
47.5 %≈ 48′Excitement50 %30 %36 %20 %
52.5 %≈ 53′Humor46 %23 %34 %18 %
57.5 %≈ 58′Tension55 %36 %32 %10 %
62.5 %≈ 63′Tension65 %49 %34 %7 %
67.5 %≈ 68′Humor61 %43 %40 %12 %
72.5 %≈ 73′Humor53 %32 %41 %14 %
77.5 %≈ 78′Humor57 %40 %41 %16 %
82.5 %≈ 83′Excitement71 %60 %45 %32 %
87.5 %≈ 88′Excitement78 %66 %49 %54 %
92.5 %≈ 93′Joy65 %45 %38 %51 %
97.5 %≈ 98′Joy45 %20 %18 %32 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

IH
Ida Husøy

Nina

OJ
Otto Jespersen

HM
Henrik Mestad

Phillip Mørk

RO
Ruby O. Fee

Romy

KU
Kostja Ullmann

Tyske Roy

PK
Peter Kurth

Kurt

HB
Henning Baum

Lemmy

BK
Björn Kjellman

Svenske Roy

TH
Trond Halbo

TT

WM
Wenche Myhre

Wenche Myhre

PT
Pål Tøien

Himself

GS
Geir Schau

Boccia-Geir

AS
Are Sende Osen

Presten

KS
Kari Simonsen

Tante Ruth

Details

Directed by
Hallvard Bræin
Written by
Christopher Grøndahl, Kjetil Indregard, Christopher Grøndahl
Type
Movies
Released
2020
Runtime
100 min
Country
Norway, Germany, Sweden
Genres
Comedy, Action
Ratings
★ IMDb 5.2 · 3,130 ratings
Feels mostly
Excitement
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.