Don't. Get. Out!
2018 · 105 min · Director: Christian Alvart
Show plot summary (may contain spoilers)
A loving father and husband is exorted by an unknown guy and he is about to lose his life, his money and his family.
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Emotional fingerprint
Don't. Get. Out! (2018) — Movie. Top emotional signals: Anxiety 35%, Tension 25%, Fear 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Fear. Genres: Drama, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 27 % | 18 % | 8 % | 7 % |
| 7.5 % | ≈ 8′ | Tension | 33 % | 28 % | 13 % | 8 % |
| 12.5 % | ≈ 13′ | Tension | 50 % | 49 % | 20 % | 26 % |
| 17.5 % | ≈ 18′ | Tension | 73 % | 73 % | 33 % | 56 % |
| 22.5 % | ≈ 24′ | Tension | 85 % | 84 % | 50 % | 74 % |
| 27.5 % | ≈ 29′ | Tension | 83 % | 80 % | 56 % | 68 % |
| 32.5 % | ≈ 34′ | Tension | 75 % | 74 % | 45 % | 51 % |
| 37.5 % | ≈ 39′ | Tension | 79 % | 79 % | 50 % | 58 % |
| 42.5 % | ≈ 45′ | Tension | 85 % | 85 % | 66 % | 73 % |
| 47.5 % | ≈ 50′ | Tension | 81 % | 81 % | 64 % | 69 % |
| 52.5 % | ≈ 55′ | Tension | 77 % | 75 % | 60 % | 58 % |
| 57.5 % | ≈ 60′ | Sympathy | 78 % | 71 % | 64 % | 51 % |
| 62.5 % | ≈ 66′ | Tension | 80 % | 75 % | 68 % | 59 % |
| 67.5 % | ≈ 71′ | Tension | 88 % | 86 % | 74 % | 76 % |
| 72.5 % | ≈ 76′ | Tension | 90 % | 89 % | 75 % | 80 % |
| 77.5 % | ≈ 81′ | Sympathy | 88 % | 85 % | 74 % | 74 % |
| 82.5 % | ≈ 87′ | Tension | 90 % | 88 % | 77 % | 75 % |
| 87.5 % | ≈ 92′ | Sympathy | 93 % | 90 % | 81 % | 79 % |
| 92.5 % | ≈ 97′ | Tension | 93 % | 92 % | 83 % | 83 % |
| 97.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
David
Falke
Marius Brendt
Pascal D'Angelo
Roman
Anna
Fahrer
Alexander Rocher
Miriam Sosse
Details
- Directed by
- Christian Alvart
- Written by
- Christian Alvart, Alberto Marini
- Type
- Movies
- Released
- 2018
- Runtime
- 105 min
- Country
- Germany
- Ratings
- Feels mostly
- Anxiety
- Data updated
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