The Week Of
2018 · 116 min · Director: Robert Smigel
Show plot summary (may contain spoilers)
Two fathers with opposing personalities come together to celebrate the wedding of their children. They are forced to spend the longest week of their lives together, and the big day cannot come soon enough.
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Emotional fingerprint
The Week Of (2018) — Movie. Top emotional signals: Humor 40%, Smile 20%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Anxiety. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Anxiety. Its IMDb rating of 5.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 33 % | 28 % | 20 % | 17 % |
| 7.5 % | ≈ 9′ | Humor | 34 % | 29 % | 18 % | 19 % |
| 12.5 % | ≈ 15′ | Humor | 36 % | 31 % | 20 % | 18 % |
| 17.5 % | ≈ 20′ | Humor | 36 % | 30 % | 21 % | 14 % |
| 22.5 % | ≈ 26′ | Humor | 35 % | 28 % | 19 % | 14 % |
| 27.5 % | ≈ 32′ | Humor | 39 % | 34 % | 18 % | 14 % |
| 32.5 % | ≈ 38′ | Humor | 45 % | 43 % | 20 % | 14 % |
| 37.5 % | ≈ 44′ | Humor | 46 % | 43 % | 21 % | 15 % |
| 42.5 % | ≈ 49′ | Humor | 48 % | 39 % | 26 % | 16 % |
| 47.5 % | ≈ 55′ | Joy | 53 % | 35 % | 30 % | 24 % |
| 52.5 % | ≈ 61′ | Tension | 53 % | 34 % | 25 % | 29 % |
| 57.5 % | ≈ 67′ | Joy | 50 % | 40 % | 28 % | 23 % |
| 62.5 % | ≈ 73′ | Humor | 51 % | 43 % | 26 % | 23 % |
| 67.5 % | ≈ 78′ | Sadness | 51 % | 39 % | 16 % | 29 % |
| 72.5 % | ≈ 84′ | Humor | 51 % | 39 % | 20 % | 24 % |
| 77.5 % | ≈ 90′ | Joy | 56 % | 35 % | 33 % | 28 % |
| 82.5 % | ≈ 96′ | Empathy | 63 % | 30 % | 40 % | 48 % |
| 87.5 % | ≈ 102′ | Joy | 60 % | 31 % | 44 % | 51 % |
| 92.5 % | ≈ 107′ | Joy | 51 % | 24 % | 40 % | 35 % |
| 97.5 % | ≈ 113′ | Joy | 48 % | 10 % | 35 % | 22 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sarah
Tyler
Robin
Rose
Isaac
Seymour
Roberta
Mark
Hanan
Mrs. Katz
Jay
Details
- Directed by
- Robert Smigel
- Written by
- Adam Sandler, Robert Smigel, Adam Sandler
- Type
- Movies
- Released
- 2018
- Runtime
- 116 min
- Country
- United States
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





