Mamma Mia! Here We Go Again
2018 · 114 min · Director: Ol Parker
Show plot summary (may contain spoilers)
Discover Donna's (Meryl Streep, Lily James) young life, experiencing the fun she had with the three possible dads of Sophie (Amanda Seyfriend). As she reflects on her mom's journey, Sophie finds herself to be more like her mother than she ever even realized.
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Emotional fingerprint
Mamma Mia! Here We Go Again (2018) — Movie. Top emotional signals: Joy 35%, Humor 22%, Nostalgia 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Joy, Humor, Nostalgia. Genres: Comedy, Musical, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Joy, Humor and Nostalgia. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Joy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Joy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 55 % | 27 % | 52 % | 32 % |
| 7.5 % | ≈ 9′ | Joy | 55 % | 26 % | 40 % | 33 % |
| 12.5 % | ≈ 14′ | Sadness | 56 % | 25 % | 30 % | 43 % |
| 17.5 % | ≈ 20′ | Humor | 55 % | 29 % | 36 % | 45 % |
| 22.5 % | ≈ 26′ | Joy | 53 % | 34 % | 41 % | 40 % |
| 27.5 % | ≈ 31′ | Humor | 53 % | 34 % | 38 % | 39 % |
| 32.5 % | ≈ 37′ | Joy | 53 % | 36 % | 31 % | 29 % |
| 37.5 % | ≈ 43′ | Love | 55 % | 48 % | 26 % | 20 % |
| 42.5 % | ≈ 48′ | Love | 61 % | 53 % | 21 % | 20 % |
| 47.5 % | ≈ 54′ | Sadness | 64 % | 43 % | 19 % | 25 % |
| 52.5 % | ≈ 60′ | Sadness | 59 % | 31 % | 23 % | 36 % |
| 57.5 % | ≈ 66′ | Sadness | 54 % | 28 % | 24 % | 45 % |
| 62.5 % | ≈ 71′ | Humor | 56 % | 29 % | 34 % | 46 % |
| 67.5 % | ≈ 77′ | Joy | 61 % | 35 % | 49 % | 39 % |
| 72.5 % | ≈ 83′ | Love | 60 % | 45 % | 48 % | 33 % |
| 77.5 % | ≈ 88′ | Love | 64 % | 57 % | 45 % | 30 % |
| 82.5 % | ≈ 94′ | Love | 76 % | 73 % | 45 % | 25 % |
| 87.5 % | ≈ 100′ | Love | 80 % | 76 % | 44 % | 20 % |
| 92.5 % | ≈ 105′ | Love | 75 % | 70 % | 48 % | 13 % |
| 97.5 % | ≈ 111′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Young Tanya
Young Bill
Sofia
Lazaros
Details
- Directed by
- Ol Parker
- Written by
- Richard Curtis, Ol Parker, Catherine Johnson
- Type
- Movies
- Released
- 2018
- Runtime
- 114 min
- Country
- United Kingdom, United States, Japan, China, Croatia
- Ratings
- Feels mostly
- Joy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





