Place Publique
2018 · 98 min · Director: Agnès Jaoui
Show plot summary (may contain spoilers)
Castro, once a tv star, is now an animator on the way back. Today his driver, Manu leading him to the housewarming party of his old producer and girlfriend Nathalie, has moved to a beautiful house in the neighborhood of Paris . Hélène, the sister of Nathalie and ex-wife of Castro, is also invited. When they were young, they shared the same ideals, but success did Castro in a pragmatist (or rather cynic) remained faithful to her convictions while Hélène.
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Emotional fingerprint
Place Publique (2018) — Movie. Top emotional signals: Humor 35%, Empathy 20%, Nostalgia 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Empathy20%
- Nostalgia15%
- Satisfaction15%
- Melancholy15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Nostalgia. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Nostalgia. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Melancholy
Dominant emotion: Surprise
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 37 % | 15 % | 11 % |
| 7.5 % | ≈ 7′ | Humor | 41 % | 39 % | 20 % | 14 % |
| 12.5 % | ≈ 12′ | Humor | 43 % | 41 % | 23 % | 18 % |
| 17.5 % | ≈ 17′ | Humor | 43 % | 42 % | 22 % | 18 % |
| 22.5 % | ≈ 22′ | Humor | 44 % | 43 % | 23 % | 14 % |
| 27.5 % | ≈ 27′ | Humor | 46 % | 41 % | 29 % | 14 % |
| 32.5 % | ≈ 32′ | Tension | 49 % | 39 % | 34 % | 15 % |
| 37.5 % | ≈ 37′ | Humor | 50 % | 40 % | 35 % | 14 % |
| 42.5 % | ≈ 42′ | Tension | 52 % | 31 % | 41 % | 16 % |
| 47.5 % | ≈ 47′ | Sympathy | 53 % | 29 % | 46 % | 21 % |
| 52.5 % | ≈ 51′ | Humor | 52 % | 35 % | 39 % | 22 % |
| 57.5 % | ≈ 56′ | Melancholy | 51 % | 40 % | 31 % | 19 % |
| 62.5 % | ≈ 61′ | Humor | 53 % | 41 % | 35 % | 28 % |
| 67.5 % | ≈ 66′ | Surprise | 56 % | 38 % | 42 % | 37 % |
| 72.5 % | ≈ 71′ | Tension | 57 % | 35 % | 48 % | 29 % |
| 77.5 % | ≈ 76′ | Sympathy | 61 % | 34 % | 53 % | 27 % |
| 82.5 % | ≈ 81′ | Tension | 65 % | 36 % | 59 % | 40 % |
| 87.5 % | ≈ 86′ | Tension | 66 % | 38 % | 62 % | 46 % |
| 92.5 % | ≈ 91′ | Tension | 64 % | 38 % | 60 % | 43 % |
| 97.5 % | ≈ 96′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Thomas
Madame Delavenne
Madame Chaulieu
Details
- Directed by
- Agnès Jaoui
- Written by
- Jean-Pierre Bacri, Agnès Jaoui, Jean-Pierre Bacri
- Type
- Movies
- Released
- 2018
- Runtime
- 98 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





