feeldb

Room for Murder

2018 · 87 min · Director: Rob Schmidt ★ IMDb 5 · 454 ratings

Show plot summary (may contain spoilers)

When Kristen decides to take a break from college and return home, she finds Jake, a handsome stranger, living in her old room. Her mother, Moira, explains that she invited Jake to live as a tenant to help with the house expenses....

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Emotional fingerprint

Room for Murder (2018) — Movie. Top emotional signals: Anxiety 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

20%Fear
  1. Fear20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Tension, Fear. Genres: Thriller. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 5.0/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Disturbing

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Relief

Tension
Fear
Disturbing
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 18 %, then rises around 33 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearDisturbing
2.5 %≈ 2′Curiosity37 %27 %15 %8 %
7.5 %≈ 7′Curiosity34 %21 %8 %6 %
12.5 %≈ 11′Curiosity34 %18 %1 %5 %
17.5 %≈ 15′Curiosity34 %18 %0 %5 %
22.5 %≈ 20′Curiosity34 %20 %1 %6 %
27.5 %≈ 24′Curiosity39 %30 %9 %11 %
32.5 %≈ 28′Curiosity49 %45 %24 %25 %
37.5 %≈ 33′Tension59 %56 %36 %39 %
42.5 %≈ 37′Tension63 %61 %41 %39 %
47.5 %≈ 41′Tension59 %57 %38 %35 %
52.5 %≈ 46′Tension54 %51 %31 %39 %
57.5 %≈ 50′Tension57 %56 %35 %45 %
62.5 %≈ 54′Tension65 %65 %44 %45 %
67.5 %≈ 59′Tension68 %68 %49 %41 %
72.5 %≈ 63′Tension69 %69 %50 %44 %
77.5 %≈ 67′Tension74 %74 %54 %53 %
82.5 %≈ 72′Tension81 %81 %65 %65 %
87.5 %≈ 76′Tension89 %89 %80 %76 %
92.5 %≈ 80′Tension90 %84 %76 %69 %
97.5 %≈ 85′Relief85 %68 %57 %52 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

JM
James Maslow

Jake

TC
Tanya Clarke

JK
Jenna Kanell

LS
Lauren Swickard

AH
Adam Huber

Ryan

JD
Julia Denton

Catherine

JS
Jannette Sepwa

Marge

LR
Lorraine Rodriguez-Reyes

Sherrie

TC
Tanya Clarke

Moira

NF
Nora Frankovich

Officer

Details

Directed by
Rob Schmidt
Written by
Jed Seidel
Type
Movies
Released
2018
Runtime
87 min
Country
United States
Genres
Thriller
Ratings
★ IMDb 5 · 454 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch

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Emotion overlap shows mood similarity, not a prediction of enjoyment.