It Chapter Two
2019 · 169 min · Director: Andy Muschietti
Show plot summary (may contain spoilers)
Defeated by members of the Losers' Club, the evil clown Pennywise returns 27 years later to terrorize the town of Derry, Maine, once again. Now adults, the childhood friends have long since gone their separate ways. But when people start disappearing, Mike Hanlon calls the others home for one final stand. Damaged by scars from the past, the united Losers must conquer their deepest fears to destroy the shape-shifting Pennywise -- now more powerful than ever.
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Emotional fingerprint
It Chapter Two (2019) — Movie. Top emotional signals: Fear 32%, Tension 25%, Anxiety 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Anxiety. Genres: Drama, Fantasy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Anxiety. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 63 % | 58 % | 12 % | 45 % |
| 7.5 % | ≈ 13′ | Humor | 60 % | 54 % | 16 % | 36 % |
| 12.5 % | ≈ 21′ | Tension | 65 % | 59 % | 28 % | 39 % |
| 17.5 % | ≈ 30′ | Tension | 69 % | 61 % | 39 % | 43 % |
| 22.5 % | ≈ 38′ | Sadness | 70 % | 63 % | 44 % | 45 % |
| 27.5 % | ≈ 46′ | Tension | 67 % | 63 % | 35 % | 44 % |
| 32.5 % | ≈ 55′ | Tension | 60 % | 54 % | 30 % | 34 % |
| 37.5 % | ≈ 63′ | Sadness | 58 % | 51 % | 26 % | 35 % |
| 42.5 % | ≈ 72′ | Tension | 69 % | 64 % | 23 % | 54 % |
| 47.5 % | ≈ 80′ | Tension | 72 % | 66 % | 31 % | 56 % |
| 52.5 % | ≈ 89′ | Tension | 66 % | 59 % | 34 % | 44 % |
| 57.5 % | ≈ 97′ | Tension | 69 % | 65 % | 25 % | 48 % |
| 62.5 % | ≈ 106′ | Tension | 78 % | 76 % | 23 % | 61 % |
| 67.5 % | ≈ 114′ | Tension | 80 % | 78 % | 31 % | 64 % |
| 72.5 % | ≈ 123′ | Tension | 79 % | 76 % | 39 % | 61 % |
| 77.5 % | ≈ 131′ | Tension | 83 % | 80 % | 41 % | 68 % |
| 82.5 % | ≈ 139′ | Tension | 86 % | 83 % | 48 % | 69 % |
| 87.5 % | ≈ 148′ | Tension | 89 % | 76 % | 64 % | 55 % |
| 92.5 % | ≈ 156′ | Sadness | 87 % | 50 % | 74 % | 30 % |
| 97.5 % | ≈ 165′ | Hope | 82 % | 22 % | 67 % | 10 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Stanley Uris
Young Mike Hanlon
Don Hagarty
Details
- Directed by
- Andy Muschietti
- Written by
- Stephen King, Gary Dauberman, Jason Fuchs
- Type
- Movies
- Released
- 2019
- Runtime
- 169 min
- Country
- United States, Canada
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





