feeldb

My Perfect Romance

2018 · 91 min · Director: Justin G. Dyck ★ IMDb 4.7 · 3,355 ratings

Show plot summary (may contain spoilers)

Robinson Tech is launching a new dating service, but when its CEO, Wes Robinson and tech developer, Vivian Blair are challenged on Live TV to test the service themselves, the algorithm shows some interesting results.

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Emotional fingerprint

My Perfect Romance (2018) — Movie. Top emotional signals: Happiness 35%, Love 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Love
20%Humor
  1. Love25%
  2. Humor20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Happiness, Love, Humor. Genres: Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Happiness, Love and Humor. Its IMDb rating of 4.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Love
  • Joy
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Joy

Dominant emotion: Love

Dominant emotion: Sadness

Love
Joy
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 68 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveJoyHumor
2.5 %≈ 2′Humor38 %15 %22 %38 %
7.5 %≈ 7′Humor43 %13 %20 %41 %
12.5 %≈ 11′Humor44 %9 %14 %40 %
17.5 %≈ 16′Humor43 %10 %13 %39 %
22.5 %≈ 20′Humor46 %14 %19 %44 %
27.5 %≈ 25′Humor51 %16 %30 %45 %
32.5 %≈ 30′Joy51 %20 %41 %41 %
37.5 %≈ 34′Humor51 %20 %36 %45 %
42.5 %≈ 39′Humor49 %16 %21 %46 %
47.5 %≈ 43′Humor43 %21 %16 %38 %
52.5 %≈ 48′Love43 %30 %19 %36 %
57.5 %≈ 52′Humor44 %30 %20 %41 %
62.5 %≈ 57′Humor45 %33 %26 %39 %
67.5 %≈ 61′Love53 %45 %36 %30 %
72.5 %≈ 66′Love61 %57 %40 %21 %
77.5 %≈ 71′Love69 %55 %33 %16 %
82.5 %≈ 75′Sadness68 %39 %24 %18 %
87.5 %≈ 80′Joy65 %45 %40 %24 %
92.5 %≈ 84′Love74 %69 %65 %29 %
97.5 %≈ 89′Joy78 %75 %72 %30 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

KM
Kimberly-Sue Murray

KM
Kimberly-Sue Murray

Vivian Blair

JS
Jodie Sweetin

Michelle Blair

MF
Morgan Fairchild

Ms. Robinson

JD
Josh Dean

George

AY
Andy Yu

Derek

CT
Celine Tsai

Elaine

FB
Fodé Bangoura

Marty

AS
Adrian Spencer

Ben

DJ
David Jack

Mr. Valentine

JI
Jenny Itwaru

Bar Tender

JC
Joseph Cannata

Ted Reynolds

RW
Rhys Wyn Trenhaile

Riley

Details

Directed by
Justin G. Dyck
Written by
Stella Bagwell, Amanda McNeice
Type
Movies
Released
2018
Runtime
91 min
Country
Canada
Genres
Romance
Ratings
★ IMDb 4.7 · 3,355 ratings
Feels mostly
Happiness
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.