Wave of Crimes
2018 · 98 min · Director: Gracia Querejeta
Show plot summary (may contain spoilers)
Leyre is a forty-something woman who lives in Bilbao, Basque Country (north to Spain) that tries to open a cupcakes shop. Divorced of Cosme, a corrupt CEO who is married in second terms with Vanesa, her attempt to build a life for herself and her teen son Asier turns upside-down after to realize that the absent-minded Asier killed his father during a Cosme's visit when he started to despise openly his son. Trying to save Asier to going the jail, Leyre hides the corpse in Cosme's car and suggested by Asier, goes to a bar implying a taxi driver in a fake scene of harassment to pay attention and having an alibi. But Vanesa and her corrupt lawyer Susana start the searching of Cosme and specially of his cell phone, which it contains enough evidences to reveal an entire web of nefarious business implying other important Bilbao's CEOs. Things complicate after Julen, Asier's best friend who is falling in love with Leyre and he tries to seduce her at any cost, at the same time that Andoni and Juantxu, two agents of the Ertzaina (Basque Country's local police) find Cosme's car, with the own Cosme inside, that Asier and Julen have been move to a distant point while Leyre was sleeping. Adding a plus of troubles, Leyre's mother Paqui and her caregiver Evelyn moves where Leyre after a flood in Paqui's house. Looking for save their position and their business, Vanesa and Susana propose Andoni to accuse falsely Leyre, hoping to find the cell phone and avoid that Asier heirs the half of Cosme's money. But meanwhile Leyre balances between Julen's sexual propositions, Paqui's bad manners, locate Cosme's cell pone and divert any suspicion of crime committed by Asier, Susana and Vanesa think an alternative and more aggressive plan for Leyre to prevent that the cell phone lost be found and it destroys the company.
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Emotional fingerprint
Wave of Crimes (2018) — Movie. Top emotional signals: Humor 35%, Anxiety 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Anxiety, Tension. Genres: Thriller, Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Anxiety and Tension. Its IMDb rating of 5.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 63 % | 30 % | 53 % | 42 % |
| 7.5 % | ≈ 7′ | Tension | 65 % | 47 % | 49 % | 38 % |
| 12.5 % | ≈ 12′ | Humor | 63 % | 53 % | 50 % | 36 % |
| 17.5 % | ≈ 17′ | Humor | 59 % | 49 % | 49 % | 43 % |
| 22.5 % | ≈ 22′ | Curiosity | 58 % | 45 % | 46 % | 49 % |
| 27.5 % | ≈ 27′ | Humor | 59 % | 43 % | 50 % | 45 % |
| 32.5 % | ≈ 32′ | Humor | 59 % | 43 % | 51 % | 39 % |
| 37.5 % | ≈ 37′ | Humor | 59 % | 49 % | 46 % | 40 % |
| 42.5 % | ≈ 42′ | Tension | 63 % | 56 % | 45 % | 43 % |
| 47.5 % | ≈ 47′ | Humor | 65 % | 56 % | 48 % | 43 % |
| 52.5 % | ≈ 51′ | Tension | 61 % | 53 % | 44 % | 43 % |
| 57.5 % | ≈ 56′ | Humor | 56 % | 45 % | 45 % | 39 % |
| 62.5 % | ≈ 61′ | Humor | 60 % | 48 % | 45 % | 36 % |
| 67.5 % | ≈ 66′ | Tension | 68 % | 63 % | 34 % | 40 % |
| 72.5 % | ≈ 71′ | Tension | 68 % | 66 % | 31 % | 44 % |
| 77.5 % | ≈ 76′ | Tension | 69 % | 66 % | 33 % | 45 % |
| 82.5 % | ≈ 81′ | Tension | 80 % | 79 % | 28 % | 41 % |
| 87.5 % | ≈ 86′ | Tension | 84 % | 73 % | 36 % | 34 % |
| 92.5 % | ≈ 91′ | Humor | 77 % | 47 % | 53 % | 28 % |
| 97.5 % | ≈ 96′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Asier
'Cacho Carne'
Evelyn
Juantxu
Julen's Father
Accomplice
Agent #1
Boss
Cousin
Chica en Cafetería
Details
- Directed by
- Gracia Querejeta
- Written by
- Luis Marías
- Type
- Movies
- Released
- 2018
- Runtime
- 98 min
- Country
- Spain
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





