The Outlaws
2017 · 121 min · Director: Yunsung Kang, Kang Yun-sung
Show plot summary (may contain spoilers)
Based on real events, this crime action film depicts a Seoul detective's attempts to keep peace while two Chinese-Korean gangs battle over turf in the neighborhood.
Emotional fingerprint
The Outlaws (2017) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Anger 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Tension25%
- Anger15%
- Satisfaction15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Anger. Genres: Thriller, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Anger. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 58 % | 55 % | 40 % | 2 % |
| 7.5 % | ≈ 9′ | Disturbing | 61 % | 54 % | 48 % | 2 % |
| 12.5 % | ≈ 15′ | Humor | 60 % | 50 % | 48 % | 2 % |
| 17.5 % | ≈ 21′ | Disturbing | 65 % | 57 % | 55 % | 1 % |
| 22.5 % | ≈ 27′ | Tension | 65 % | 57 % | 58 % | 2 % |
| 27.5 % | ≈ 33′ | Disturbing | 62 % | 54 % | 53 % | 2 % |
| 32.5 % | ≈ 39′ | Tension | 58 % | 53 % | 43 % | 3 % |
| 37.5 % | ≈ 45′ | Tension | 58 % | 55 % | 38 % | 5 % |
| 42.5 % | ≈ 51′ | Tension | 66 % | 62 % | 42 % | 8 % |
| 47.5 % | ≈ 57′ | Tension | 68 % | 65 % | 41 % | 7 % |
| 52.5 % | ≈ 64′ | Tension | 63 % | 61 % | 41 % | 4 % |
| 57.5 % | ≈ 70′ | Tension | 59 % | 57 % | 37 % | 3 % |
| 62.5 % | ≈ 76′ | Tension | 63 % | 61 % | 42 % | 4 % |
| 67.5 % | ≈ 82′ | Tension | 63 % | 61 % | 41 % | 7 % |
| 72.5 % | ≈ 88′ | Tension | 63 % | 61 % | 27 % | 6 % |
| 77.5 % | ≈ 94′ | Tension | 74 % | 73 % | 29 % | 3 % |
| 82.5 % | ≈ 100′ | Tension | 83 % | 81 % | 46 % | 2 % |
| 87.5 % | ≈ 106′ | Tension | 80 % | 73 % | 47 % | 17 % |
| 92.5 % | ≈ 112′ | Relief | 73 % | 48 % | 27 % | 50 % |
| 97.5 % | ≈ 118′ | Relief | 72 % | 26 % | 12 % | 68 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jang Chen
Park Byoung-sik
Kang Hong-seok
Yang-tae
Airport Officer
Kang Hong-seok's Fiancée
Mr. Won
Details
- Directed by
- Yunsung Kang, Kang Yun-sung
- Written by
- Yunsung Kang, Kang Yun-sung
- Type
- Movies
- Released
- 2017
- Runtime
- 121 min
- Country
- South Korea
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Free
Rent
Data: JustWatch
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