A Call to Spy
2019 · 124 min · Director: Lydia Dean Pilcher
Show plot summary (may contain spoilers)
In the beginning of WWII, with Britain becoming desperate, Churchill orders his new spy agency -- the Special Operations Executive (SOE) -- to recruit and train women as spies. Their daunting mission: conduct sabotage and build a resistance. SOE's "spymistress," Vera Atkins (Stana Katic), recruits two unusual candidates: Virginia Hall (Sarah Megan Thomas), an ambitious American with a wooden leg, and Noor Inayat Khan (Radhika Atpe), a Muslim pacifist. Together, these women help to undermine the Nazi regime in France, leaving an unmistakable legacy in their wake. Inspired by true stories.
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Emotional fingerprint
A Call to Spy (2019) — Movie. Top emotional signals: Excitement 30%, Anxiety 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Anxiety25%
- Inspiration20%
- Empathy15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Anxiety, Inspiration. Genres: Drama, Crime, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Anxiety and Inspiration. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 73 % | 60 % | 45 % | 33 % |
| 7.5 % | ≈ 9′ | Hope | 61 % | 39 % | 38 % | 18 % |
| 12.5 % | ≈ 16′ | Hope | 59 % | 39 % | 32 % | 9 % |
| 17.5 % | ≈ 22′ | Tension | 65 % | 59 % | 38 % | 15 % |
| 22.5 % | ≈ 28′ | Tension | 68 % | 68 % | 44 % | 20 % |
| 27.5 % | ≈ 34′ | Tension | 64 % | 61 % | 45 % | 21 % |
| 32.5 % | ≈ 40′ | Hope | 56 % | 51 % | 45 % | 23 % |
| 37.5 % | ≈ 47′ | Tension | 54 % | 50 % | 43 % | 23 % |
| 42.5 % | ≈ 53′ | Tension | 57 % | 54 % | 44 % | 29 % |
| 47.5 % | ≈ 59′ | Hope | 64 % | 60 % | 46 % | 30 % |
| 52.5 % | ≈ 65′ | Tension | 73 % | 71 % | 41 % | 20 % |
| 57.5 % | ≈ 71′ | Tension | 79 % | 79 % | 40 % | 16 % |
| 62.5 % | ≈ 78′ | Tension | 80 % | 80 % | 41 % | 20 % |
| 67.5 % | ≈ 84′ | Tension | 84 % | 83 % | 49 % | 38 % |
| 72.5 % | ≈ 90′ | Disturbing | 90 % | 88 % | 65 % | 59 % |
| 77.5 % | ≈ 96′ | Tension | 90 % | 83 % | 71 % | 66 % |
| 82.5 % | ≈ 102′ | Sadness | 81 % | 64 % | 69 % | 68 % |
| 87.5 % | ≈ 109′ | Hope | 77 % | 49 % | 70 % | 70 % |
| 92.5 % | ≈ 115′ | Sadness | 85 % | 45 % | 77 % | 78 % |
| 97.5 % | ≈ 121′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Klaus Barbie
Alfonse
Paul
Father Robert Alesche
Giselle
Hilda Atkins
Emilie
George
Details
- Directed by
- Lydia Dean Pilcher
- Written by
- Sarah Megan Thomas
- Type
- Movies
- Released
- 2019
- Runtime
- 124 min
- Country
- United States, Hungary
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Subscription
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





