The Most Beautiful Girl in the World
2018 · 102 min · Director: Aron Lehmann
Show plot summary (may contain spoilers)
Cyril falls head-over-heels for the new girl in his class. Roxy is cool and drop-dead gorgeous. But Cyril is terribly self-conscious because he has a huge nose. And while he writes songs for and about his beloved, he's too shy to let her know that they are his. He pretends they were written by the hunky Rick, whom he presumes Roxy must admire; if he has no chance with Roxy, he'd rather she go out with dimwitted Rick than with that macho Benno.
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Emotional fingerprint
The Most Beautiful Girl in the World (2018) — Movie. Top emotional signals: Love 30%, Humor 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Empathy. Genres: Comedy, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Empathy. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Humor
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Humor | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 53 % | 3 % | 50 % | 22 % |
| 7.5 % | ≈ 8′ | Humor | 54 % | 9 % | 53 % | 25 % |
| 12.5 % | ≈ 13′ | Humor | 48 % | 15 % | 45 % | 30 % |
| 17.5 % | ≈ 18′ | Sympathy | 45 % | 18 % | 40 % | 28 % |
| 22.5 % | ≈ 23′ | Humor | 53 % | 14 % | 48 % | 20 % |
| 27.5 % | ≈ 28′ | Humor | 60 % | 6 % | 45 % | 28 % |
| 32.5 % | ≈ 33′ | Sympathy | 57 % | 6 % | 31 % | 39 % |
| 37.5 % | ≈ 38′ | Sympathy | 49 % | 19 % | 29 % | 38 % |
| 42.5 % | ≈ 43′ | Humor | 50 % | 36 % | 36 % | 40 % |
| 47.5 % | ≈ 48′ | Love | 55 % | 45 % | 41 % | 41 % |
| 52.5 % | ≈ 54′ | Humor | 56 % | 48 % | 40 % | 38 % |
| 57.5 % | ≈ 59′ | Love | 59 % | 53 % | 35 % | 44 % |
| 62.5 % | ≈ 64′ | Sympathy | 56 % | 44 % | 33 % | 49 % |
| 67.5 % | ≈ 69′ | Sympathy | 57 % | 31 % | 27 % | 51 % |
| 72.5 % | ≈ 74′ | Sympathy | 65 % | 35 % | 24 % | 59 % |
| 77.5 % | ≈ 79′ | Sympathy | 63 % | 39 % | 31 % | 59 % |
| 82.5 % | ≈ 84′ | Sympathy | 56 % | 30 % | 40 % | 48 % |
| 87.5 % | ≈ 89′ | Humor | 61 % | 31 % | 43 % | 39 % |
| 92.5 % | ≈ 94′ | Love | 75 % | 59 % | 35 % | 34 % |
| 97.5 % | ≈ 99′ | Love | 83 % | 80 % | 23 % | 25 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Benno
Bernd
Philippa
Titti
Timo
Gorilla
Cem
Lissi
Marc
Houssam
Raini
Kurti
Ben
Schülerin
Details
- Directed by
- Aron Lehmann
- Written by
- Lars Kraume, Aron Lehmann, Judy Horney, Edmond Rostand
- Type
- Movies
- Released
- 2018
- Runtime
- 102 min
- Country
- Germany
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





