Eye for an Eye
2019 · 107 min · Director: Paco Plaza
Show plot summary (may contain spoilers)
2018. Cambados, Pontevedra (Galicia; northwest to Spain). Legendary Gallician drug dealer Antonio Padín is pardoned from the jail due to humanitarian reasons, after to have a terminal disease. Aging, weak and ill, Antonio goes freely into a seniors residence instead to go his home with two sons, older and more cerebral Toño and younger and more aggressive Kiko, despising them openly in the belief that they two will ruin the family business. In the residence Antonio meets Mario, nursery chief and his personal assistant who expects his first baby with his six months pregnant wife Julia. Motivated by the revenge after Sergio, Mario's younger brother who was one of the Antonio's drug pushers and an addict who died 25 years ago by overdose, Mario cares Antonio by day, but makes him sick by night as retribution. At the same time, Toño and Kiko make a deal with a Chinese mob named Mrs. Kong in cooperation with a Colombian drug cartel, but things go wrong: Kong betrays Toño and Kiko killing their henchmen, and a police operation arrests Kong and Kiko but not Toño, who flees in the last second. The Colombian cartel demands Toño the money lost in the deal, who tries too free Kiko from the jail before his brother be killed. While Mario pretends to care Antonio worsening his health, Toño hurry up to save Kiko and take the control of the business. Nevertheless, tragedy appears when Julia learns about Mario's new patient, causing a sudden bleeding that puts the unborn baby in risk. Despite Julia's request to Mario for leaving his revenge, he is unable to stop until see Antonio dead, still knowing that it will face with Toño. But Mario doesn't counts with Antonio's evil to pay Mario's cares.
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Emotional fingerprint
Eye for an Eye (2019) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Sadness. Genres: Thriller, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Sadness. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion: Sympathy
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 61 % | 57 % | 38 % | 31 % |
| 7.5 % | ≈ 8′ | Joy | 44 % | 39 % | 19 % | 28 % |
| 12.5 % | ≈ 13′ | Sympathy | 38 % | 31 % | 11 % | 31 % |
| 17.5 % | ≈ 19′ | Sympathy | 43 % | 34 % | 18 % | 38 % |
| 22.5 % | ≈ 24′ | Sympathy | 46 % | 38 % | 22 % | 36 % |
| 27.5 % | ≈ 29′ | Tension | 46 % | 37 % | 17 % | 27 % |
| 32.5 % | ≈ 35′ | Joy | 55 % | 43 % | 18 % | 21 % |
| 37.5 % | ≈ 40′ | Tension | 67 % | 59 % | 32 % | 22 % |
| 42.5 % | ≈ 45′ | Tension | 67 % | 63 % | 41 % | 31 % |
| 47.5 % | ≈ 51′ | Tension | 67 % | 64 % | 43 % | 41 % |
| 52.5 % | ≈ 56′ | Tension | 77 % | 71 % | 59 % | 53 % |
| 57.5 % | ≈ 62′ | Disturbing | 83 % | 75 % | 73 % | 55 % |
| 62.5 % | ≈ 67′ | Tension | 76 % | 72 % | 59 % | 47 % |
| 67.5 % | ≈ 72′ | Tension | 71 % | 69 % | 49 % | 46 % |
| 72.5 % | ≈ 78′ | Disturbing | 79 % | 70 % | 62 % | 57 % |
| 77.5 % | ≈ 83′ | Sadness | 84 % | 71 % | 60 % | 58 % |
| 82.5 % | ≈ 88′ | Tension | 80 % | 69 % | 38 % | 41 % |
| 87.5 % | ≈ 94′ | Joy | 78 % | 68 % | 37 % | 35 % |
| 92.5 % | ≈ 99′ | Tension | 83 % | 75 % | 52 % | 43 % |
| 97.5 % | ≈ 104′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Julia
Xepas
Ana
Alfredo
Cura funeral
Asistente Funeral
Vicente
Sánchez
Santiago
Andrés
Sofia
Raquel
Mercedes
Marcial
Details
- Directed by
- Paco Plaza
- Written by
- Jorge Guerricaechevarría, Juan Galiñanes
- Type
- Movies
- Released
- 2019
- Runtime
- 107 min
- Country
- Spain, France, United States
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





