70 Big Ones
2018 · 105 min · Director: Koldo Serra
Show plot summary (may contain spoilers)
2015. Raquel Crespo is woman from Bilbao (Basque Country, north to Spain) desperate to recover his little daughter Alba. Having to pay a bribery of 35,000 EUR (42,000 $) to a corrupt social services who works in child custody, Raquel goes to a bank named Nortcaja in the neighborhood of Santutxu to talk with the bank manager Elías for obtaining the money, offering her parents' house as endorsement in exchange for opening an bank account and finally get the 35,000 EUR loan. Accepting the terms, Elías talks with the bank teller Cristina to make the operation but seconds before to end it, two felonious named Jonan and Lola appear in the bank to make a robbery. Closing the bank, Jonan and Lola retain as hostages to Elías, Cristina, Raquel, young girls Iratxe and the Russian Daryna, Mikel the technical computer and Gregorio the bank guard. Hoping that the robbery be easy and obtaining a loot of 400,000 EUR (485,000 $), things complicate from the beginning: Toñín, a corrupt cop working as immigration officer who blackmails Daryna to give him money for not deporting her Russia, approaches the bank to watch if Daryna have the money required. Not knowing it, Jonan opens fire and kills Toñín in the middle of the plaza, causing a strong police operative of the Ertzaina (Basque Country's regional police) that surrounds the place. Lead by Carlos Garay and his partner Eva Domínguez, they two try to communicate with Jonan and Lola. Determined to all, Raquel offers herself as speaker, using her intelligence to send a secret key in her words. Unknown for Jonan and Lola, Carlos and Eva learns about the key, but things complicate again: veteran old-school Eratzaina Luis Ledesma questions Carlos and Eva scientist methods and Jonan is a drug addict each time more unbalanced. Asking Carlos for food and drinks, Lola forces fearful Iratxe to get it from the plaza where it was left, but she runs away to save herself. Noticing about robbers' limited intelligent, Raquel tries to calm them and she takes the food, in the hope to make a deal: she helps them to escape and they give her 70 "binladens" (70 bills of 500 EUR). But will can Raquel obtains the money before it be too much late to recover Alba? Will get Carlos and Eva to catch Jonan and Lola before they kill all the hostages?
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Emotional fingerprint
70 Big Ones (2018) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Anxiety25%
- Excitement20%
- Empathy10%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Excitement. Genres: Thriller. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Excitement. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 55 % | 42 % | 37 % | 47 % |
| 7.5 % | ≈ 8′ | Tension | 61 % | 56 % | 36 % | 39 % |
| 12.5 % | ≈ 13′ | Tension | 70 % | 70 % | 31 % | 33 % |
| 17.5 % | ≈ 18′ | Tension | 73 % | 73 % | 31 % | 33 % |
| 22.5 % | ≈ 24′ | Tension | 65 % | 65 % | 43 % | 30 % |
| 27.5 % | ≈ 29′ | Tension | 61 % | 60 % | 55 % | 25 % |
| 32.5 % | ≈ 34′ | Curiosity | 66 % | 64 % | 56 % | 25 % |
| 37.5 % | ≈ 39′ | Tension | 71 % | 70 % | 50 % | 29 % |
| 42.5 % | ≈ 45′ | Tension | 69 % | 69 % | 50 % | 26 % |
| 47.5 % | ≈ 50′ | Tension | 66 % | 65 % | 48 % | 25 % |
| 52.5 % | ≈ 55′ | Tension | 71 % | 68 % | 38 % | 38 % |
| 57.5 % | ≈ 60′ | Tension | 76 % | 70 % | 40 % | 56 % |
| 62.5 % | ≈ 66′ | Sadness | 76 % | 70 % | 57 % | 56 % |
| 67.5 % | ≈ 71′ | Tension | 78 % | 75 % | 65 % | 41 % |
| 72.5 % | ≈ 76′ | Tension | 84 % | 84 % | 61 % | 38 % |
| 77.5 % | ≈ 81′ | Tension | 80 % | 75 % | 61 % | 39 % |
| 82.5 % | ≈ 87′ | Curiosity | 66 % | 50 % | 64 % | 31 % |
| 87.5 % | ≈ 92′ | Curiosity | 66 % | 40 % | 63 % | 34 % |
| 92.5 % | ≈ 97′ | Sadness | 76 % | 35 % | 45 % | 59 % |
| 97.5 % | ≈ 102′ | Sadness | 80 % | 22 % | 23 % | 77 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Carlos
Mikel
Daryna
Cristina
Nurse 1
Berrozi azotea 1
Berrozi azotea 2
Nurse 2
Hotel receptionist
Details
- Directed by
- Koldo Serra
- Written by
- Asier Guerricaechebarría, Javier Echániz, Juan Antonio Gil Bengoa, Asier Guerricaechevarría
- Type
- Movies
- Released
- 2018
- Runtime
- 105 min
- Country
- Spain
- Genres
- Thriller
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
Feels similar
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