After the Wedding
2019 · 110 min · Director: Bart Freundlich
Show plot summary (may contain spoilers)
A manager of an orphanage in Kolkata travels to New York to meet a benefactor.
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Emotional fingerprint
After the Wedding (2019) — Movie. Top emotional signals: Empathy 35%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 30 % | 27 % | 7 % | 20 % |
| 7.5 % | ≈ 8′ | Empathy | 34 % | 28 % | 10 % | 21 % |
| 12.5 % | ≈ 14′ | Love | 34 % | 23 % | 8 % | 20 % |
| 17.5 % | ≈ 19′ | Curiosity | 34 % | 23 % | 8 % | 20 % |
| 22.5 % | ≈ 25′ | Love | 37 % | 21 % | 8 % | 31 % |
| 27.5 % | ≈ 30′ | Love | 46 % | 20 % | 4 % | 46 % |
| 32.5 % | ≈ 36′ | Love | 56 % | 26 % | 8 % | 45 % |
| 37.5 % | ≈ 41′ | Curiosity | 64 % | 39 % | 25 % | 27 % |
| 42.5 % | ≈ 47′ | Tension | 66 % | 54 % | 40 % | 24 % |
| 47.5 % | ≈ 52′ | Empathy | 59 % | 55 % | 38 % | 31 % |
| 52.5 % | ≈ 58′ | Empathy | 51 % | 44 % | 29 % | 25 % |
| 57.5 % | ≈ 63′ | Tension | 51 % | 40 % | 26 % | 19 % |
| 62.5 % | ≈ 69′ | Empathy | 50 % | 45 % | 31 % | 24 % |
| 67.5 % | ≈ 74′ | Empathy | 49 % | 40 % | 29 % | 25 % |
| 72.5 % | ≈ 80′ | Tension | 61 % | 44 % | 35 % | 26 % |
| 77.5 % | ≈ 85′ | Sadness | 79 % | 70 % | 64 % | 43 % |
| 82.5 % | ≈ 91′ | Sadness | 86 % | 86 % | 81 % | 63 % |
| 87.5 % | ≈ 96′ | Sadness | 83 % | 81 % | 73 % | 68 % |
| 92.5 % | ≈ 102′ | Love | 73 % | 70 % | 55 % | 63 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jonathan
Cibele
Eddie
Simon
Young Grace
Theo
Jai
Preena
Jacques
Melinda
Details
- Directed by
- Bart Freundlich
- Written by
- Anders Thomas Jensen, Susanne Bier, Bart Freundlich
- Type
- Movies
- Released
- 2019
- Runtime
- 110 min
- Country
- United States, United Kingdom
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





