The Space Between the Lines
2019 · 122 min · Director: Vanessa Jopp
Show plot summary (may contain spoilers)
An incorrect letter and Emma Rothner's e-mail inadvertently ends up with Leo Leike, a linguist, instead of the intended recipient. Leo answers. An exchange takes its course, which becomes funny and more and more personal. Because they do not know each other, they do not need to fear loss of face, they trust in each other intimate things. Emma and Leo make a digital friendship and want to leave it at that. But at some point there are butterflies in the bellies and every "pling" in the mailbox shames them up. Maybe they should meet after all? On the other hand, Emma is married to Bernhard and Leo is still hanging onto his ex-girlfriend Marlene.
Emotional fingerprint
The Space Between the Lines (2019) — Movie. Top emotional signals: Love 35%, Anticipation 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Anticipation25%
- Empathy20%
- Sadness10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Anticipation, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Anticipation and Empathy. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Anticipation
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Anticipation
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Anticipation | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 38 % | 13 % | 10 % | 22 % |
| 7.5 % | ≈ 9′ | Sadness | 54 % | 14 % | 11 % | 48 % |
| 12.5 % | ≈ 15′ | Sadness | 58 % | 16 % | 14 % | 56 % |
| 17.5 % | ≈ 21′ | Sadness | 50 % | 21 % | 19 % | 36 % |
| 22.5 % | ≈ 27′ | Humor | 49 % | 33 % | 28 % | 16 % |
| 27.5 % | ≈ 34′ | Love | 55 % | 46 % | 40 % | 10 % |
| 32.5 % | ≈ 40′ | Love | 59 % | 48 % | 50 % | 9 % |
| 37.5 % | ≈ 46′ | Anticipation | 53 % | 39 % | 49 % | 8 % |
| 42.5 % | ≈ 52′ | Love | 51 % | 43 % | 44 % | 10 % |
| 47.5 % | ≈ 58′ | Love | 59 % | 48 % | 36 % | 26 % |
| 52.5 % | ≈ 64′ | Sadness | 57 % | 36 % | 24 % | 43 % |
| 57.5 % | ≈ 70′ | Sadness | 53 % | 33 % | 18 % | 43 % |
| 62.5 % | ≈ 76′ | Love | 56 % | 39 % | 19 % | 39 % |
| 67.5 % | ≈ 82′ | Tension | 60 % | 41 % | 28 % | 33 % |
| 72.5 % | ≈ 88′ | Love | 64 % | 45 % | 40 % | 34 % |
| 77.5 % | ≈ 95′ | Tension | 70 % | 42 % | 40 % | 50 % |
| 82.5 % | ≈ 101′ | Sadness | 75 % | 45 % | 45 % | 51 % |
| 87.5 % | ≈ 107′ | Anticipation | 79 % | 59 % | 63 % | 44 % |
| 92.5 % | ≈ 113′ | Sadness | 80 % | 65 % | 67 % | 55 % |
| 97.5 % | ≈ 119′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Space Between the Lines. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Fiona
Vera
Jonas
Paul
Pregnant Woman
Details
- Directed by
- Vanessa Jopp
- Written by
- Jane Ainscough, Daniel Glattauer
- Type
- Movies
- Released
- 2019
- Runtime
- 122 min
- Country
- Germany
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
