feeldb

The Chanting Revisited

2018 · 105 min · Director: Rizal Mantovani ★ IMDb 4.6 · 890 ratings

Show plot summary (may contain spoilers)

A group of kids agree to explore an abandoned house in order to win a reality show contest, which requires them to prove that the stories of the evil Kuntilanak are real. They soon discover that the ghost is very much real when it appears from an old mirror and starts haunting them.

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Emotional fingerprint

The Chanting Revisited (2018) — Movie. Top emotional signals: Fear 35%, Tension 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

35%Fear
  1. Fear35%
  2. Relief10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Fear, Tension, Surprise. Genres: Comedy, Mystery, Horror. AI estimate.

Is it worth watching?

Consider this title if you are looking for Fear, Tension and Surprise. Its IMDb rating of 4.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Relief

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Fear

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Relief

Tension
Fear
Relief
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity peaks around 3 %, then dips around 18 %, then peaks around 88 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearRelief
2.5 %≈ 3′Sadness67 %42 %35 %3 %
7.5 %≈ 8′Fear60 %48 %43 %3 %
12.5 %≈ 13′Sadness46 %40 %34 %9 %
17.5 %≈ 18′Humor43 %35 %28 %15 %
22.5 %≈ 24′Tension46 %32 %25 %10 %
27.5 %≈ 29′Humor48 %28 %20 %4 %
32.5 %≈ 34′Sadness49 %38 %29 %1 %
37.5 %≈ 39′Tension51 %49 %40 %4 %
42.5 %≈ 45′Tension56 %54 %48 %10 %
47.5 %≈ 50′Tension61 %54 %49 %10 %
52.5 %≈ 55′Humor59 %46 %38 %5 %
57.5 %≈ 60′Tension56 %50 %35 %1 %
62.5 %≈ 66′Tension59 %57 %44 %0 %
67.5 %≈ 71′Tension61 %59 %49 %0 %
72.5 %≈ 76′Tension68 %66 %56 %0 %
77.5 %≈ 81′Tension78 %78 %69 %0 %
82.5 %≈ 87′Tension85 %85 %76 %0 %
87.5 %≈ 92′Tension88 %88 %75 %14 %
92.5 %≈ 97′Tension85 %66 %53 %48 %
97.5 %≈ 102′Relief82 %32 %22 %72 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

SM
Sandrinna Michelle

AB
Andryan Bima

AM
Aurélie Moeremans

Lydia

CN
Ciara Nadine Brosnan

FW
Fero Walandouw

Glenn

NR
Nena Rosier

Tante Donna

AS
Andryan Sulaiman

Kresna

AF
Adlu Fahrezy

Panji

CN
Ciara Nadine Brosnan

Ambar

AF
Ali Fikry

Miko

NH
Naufal Ho

Anjas

AR
Aditya Rino

Cameraman

AS
Aqi Singgih

Lukman

AS
Ady Sky

Creative

WM
Wina Marrino

AB
Abiyyu Barakbah

Details

Directed by
Rizal Mantovani
Written by
Alim Sudio
Type
Movies
Released
2018
Runtime
105 min
Country
Indonesia
Ratings
★ IMDb 4.6 · 890 ratings
Feels mostly
Fear
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.