Paradise Lost
2018 · 110 min · Director: Monique Gardenberg
Show plot summary (may contain spoilers)
Nadia (a singer) and Joao Oliveira Santana (a police captain) were a married couple in Brazil. In the 1980s while Nadia was expecting their son, Odair, Joao beat her and she lost her hearing. Nadia had an affair with fellow singer Angelo and they had a child Celeste, born 1987. Joao had an affair with Angelo's sister, Eva, conceiving a child, Ima, in 1997. In December of that year, while Nadia was hospitalized in a coma from Joao's violence, a black-eyed and very pregnant Eva murdered Joao, as young Odair looked on in fear. *** During her 20-year sentence, Eva gave birth to Ima and fell in love with fellow inmate Milene, a con artist who was innocently imprisoned. After Nadia recovered from her coma she disappeared as a housebound recluse. Odair looked after her, and got a job as a police officer. *** Most of the film is set in 2017. Odair pulls over a singer, Teylor (one of Celeste's two suitors), for speeding. Later he follows Teylor to the Paraiso Perdido nightclub and happens to protect Ima from attackers. Jose, the father of Eva and Angelo, asks Odair to take a night job protecting Ima. Odair notices his mother's picture posted prominently in Angelo's dressing room. After Eva is released from prison, Odair begins a relationship with her and helps Milene to get out of prison as well; they form a thruple. Ima forms a relationship with a teacher, Pedro. Odair learns from a colleague that Eva killed his father, and he sets up a reunion of Nadia and Angelo.
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Emotional fingerprint
Paradise Lost (2018) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Empathy25%
- Disturbing20%
- Tension15%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Disturbing. Genres: Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Disturbing. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 50 % | 35 % | 40 % | 20 % |
| 7.5 % | ≈ 8′ | Love | 52 % | 26 % | 35 % | 31 % |
| 12.5 % | ≈ 14′ | Empathy | 53 % | 33 % | 29 % | 43 % |
| 17.5 % | ≈ 19′ | Sadness | 55 % | 46 % | 29 % | 46 % |
| 22.5 % | ≈ 25′ | Empathy | 58 % | 49 % | 31 % | 51 % |
| 27.5 % | ≈ 30′ | Sadness | 62 % | 50 % | 36 % | 55 % |
| 32.5 % | ≈ 36′ | Tension | 62 % | 45 % | 36 % | 49 % |
| 37.5 % | ≈ 41′ | Hope | 56 % | 38 % | 29 % | 40 % |
| 42.5 % | ≈ 47′ | Sadness | 56 % | 43 % | 34 % | 45 % |
| 47.5 % | ≈ 52′ | Love | 56 % | 39 % | 41 % | 51 % |
| 52.5 % | ≈ 58′ | Empathy | 51 % | 33 % | 35 % | 50 % |
| 57.5 % | ≈ 63′ | Empathy | 53 % | 33 % | 38 % | 49 % |
| 62.5 % | ≈ 69′ | Love | 58 % | 29 % | 45 % | 45 % |
| 67.5 % | ≈ 74′ | Tension | 67 % | 40 % | 40 % | 51 % |
| 72.5 % | ≈ 80′ | Empathy | 71 % | 49 % | 41 % | 57 % |
| 77.5 % | ≈ 85′ | Love | 68 % | 41 % | 48 % | 51 % |
| 82.5 % | ≈ 91′ | Tension | 71 % | 49 % | 41 % | 55 % |
| 87.5 % | ≈ 96′ | Sadness | 72 % | 55 % | 43 % | 57 % |
| 92.5 % | ≈ 102′ | Love | 60 % | 33 % | 50 % | 36 % |
| 97.5 % | ≈ 107′ | Love | 47 % | 12 % | 47 % | 15 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Odair
José
Joca
Delegado
Nádia
Celeste
Vizinha de Nádia
Lídia
Details
- Directed by
- Monique Gardenberg
- Written by
- Monique Gardenberg
- Type
- Movies
- Released
- 2018
- Runtime
- 110 min
- Country
- Brazil
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





