Eurovision Song Contest: The Story of Fire Saga
2020 · 121 min · Director: David Dobkin
Show plot summary (may contain spoilers)
When aspiring musicians Lars and Sigrit are given the opportunity to represent their country at the world's biggest song competition, they finally have a chance to prove that any dream worth having is a dream worth fighting for.
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Emotional fingerprint
Eurovision Song Contest: The Story of Fire Saga (2020) — Movie. Top emotional signals: Humor 35%, Joy 25%, Excitement 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Excitement18%
- Love12%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Excitement. Genres: Comedy, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Excitement. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Humor
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Humor | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 38 % | 20 % | 35 % | 12 % |
| 7.5 % | ≈ 9′ | Humor | 43 % | 23 % | 40 % | 9 % |
| 12.5 % | ≈ 15′ | Humor | 48 % | 25 % | 39 % | 10 % |
| 17.5 % | ≈ 21′ | Tension | 53 % | 25 % | 35 % | 16 % |
| 22.5 % | ≈ 27′ | Humor | 54 % | 31 % | 35 % | 23 % |
| 27.5 % | ≈ 33′ | Joy | 49 % | 36 % | 34 % | 24 % |
| 32.5 % | ≈ 39′ | Humor | 45 % | 32 % | 38 % | 24 % |
| 37.5 % | ≈ 45′ | Humor | 48 % | 36 % | 43 % | 25 % |
| 42.5 % | ≈ 51′ | Joy | 49 % | 36 % | 40 % | 23 % |
| 47.5 % | ≈ 57′ | Humor | 46 % | 23 % | 39 % | 19 % |
| 52.5 % | ≈ 64′ | Humor | 45 % | 20 % | 41 % | 18 % |
| 57.5 % | ≈ 70′ | Humor | 50 % | 26 % | 44 % | 18 % |
| 62.5 % | ≈ 76′ | Tension | 60 % | 23 % | 39 % | 20 % |
| 67.5 % | ≈ 82′ | Sadness | 64 % | 23 % | 29 % | 29 % |
| 72.5 % | ≈ 88′ | Joy | 59 % | 34 % | 31 % | 34 % |
| 77.5 % | ≈ 94′ | Humor | 55 % | 36 % | 43 % | 26 % |
| 82.5 % | ≈ 100′ | Humor | 61 % | 39 % | 40 % | 30 % |
| 87.5 % | ≈ 106′ | Love | 73 % | 57 % | 31 % | 51 % |
| 92.5 % | ≈ 112′ | Joy | 78 % | 73 % | 35 % | 62 % |
| 97.5 % | ≈ 118′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mita Xenakis
Jorn
Stage Manager
Janus Skoene
Sasha
Anna
Helka
Details
- Directed by
- David Dobkin
- Written by
- Will Ferrell, Harper Steele
- Type
- Movies
- Released
- 2020
- Runtime
- 121 min
- Country
- United States, Iceland, Canada
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





