The Christmas Contract
2018 · 88 min · Director: Monika Mitchell
Show plot summary (may contain spoilers)
A recently-single woman dreads the thought of going back to her Louisiana hometown for Christmas when she finds out that her ex-boyfriend will be there with his new girlfriend.
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Emotional fingerprint
The Christmas Contract (2018) — Movie. Top emotional signals: Love 30%, Happiness 25%, Humor 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Happiness25%
- Humor15%
- Anticipation15%
- Relief15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Happiness, Humor. Genres: Drama, Romance, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Happiness and Humor. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Joy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Joy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 42 % | 10 % | 23 % | 38 % |
| 7.5 % | ≈ 7′ | Humor | 44 % | 11 % | 24 % | 43 % |
| 12.5 % | ≈ 11′ | Humor | 46 % | 20 % | 31 % | 43 % |
| 17.5 % | ≈ 15′ | Joy | 50 % | 33 % | 38 % | 41 % |
| 22.5 % | ≈ 20′ | Humor | 51 % | 38 % | 34 % | 41 % |
| 27.5 % | ≈ 24′ | Love | 46 % | 34 % | 30 % | 38 % |
| 32.5 % | ≈ 29′ | Humor | 40 % | 26 % | 29 % | 35 % |
| 37.5 % | ≈ 33′ | Humor | 40 % | 28 % | 31 % | 30 % |
| 42.5 % | ≈ 37′ | Joy | 46 % | 34 % | 41 % | 26 % |
| 47.5 % | ≈ 42′ | Joy | 50 % | 31 % | 46 % | 32 % |
| 52.5 % | ≈ 46′ | Joy | 50 % | 31 % | 43 % | 34 % |
| 57.5 % | ≈ 51′ | Love | 51 % | 40 % | 43 % | 24 % |
| 62.5 % | ≈ 55′ | Joy | 59 % | 50 % | 50 % | 16 % |
| 67.5 % | ≈ 59′ | Love | 68 % | 60 % | 54 % | 16 % |
| 72.5 % | ≈ 64′ | Love | 64 % | 60 % | 46 % | 21 % |
| 77.5 % | ≈ 68′ | Love | 57 % | 43 % | 30 % | 23 % |
| 82.5 % | ≈ 73′ | Tension | 63 % | 25 % | 13 % | 13 % |
| 87.5 % | ≈ 77′ | Sadness | 73 % | 38 % | 23 % | 6 % |
| 92.5 % | ≈ 81′ | Love | 80 % | 65 % | 52 % | 10 % |
| 97.5 % | ≈ 86′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Tyler Hilton
Keith
Maxie
Details
- Directed by
- Monika Mitchell
- Written by
- Cassie Doyle
- Type
- Movies
- Released
- 2018
- Runtime
- 88 min
- Country
- United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Free
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





