feeldb

Pride, Prejudice and Mistletoe

2018 · 83 min · Director: Don McBrearty ★ IMDb 6.2 · 2,722 ratings

Show plot summary (may contain spoilers)

Darcy is a career woman who hasn't found love, but her life turns upside down when she returns home to help her mother plan a charity event.

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Emotional fingerprint

Pride, Prejudice and Mistletoe (2018) — Movie. Top emotional signals: Happiness 35%, Love 25%, Humor 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Love
15%Humor
  1. Love25%
  2. Humor15%
  3. Hope15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Happiness, Love, Humor. Genres: Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Happiness, Love and Humor. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Love
  • Joy
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Joy

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Love

Love
Joy
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveJoyHumor
2.5 %≈ 2′Joy30 %13 %22 %14 %
7.5 %≈ 6′Humor32 %17 %20 %19 %
12.5 %≈ 10′Joy34 %21 %21 %25 %
17.5 %≈ 15′Humor36 %19 %21 %31 %
22.5 %≈ 19′Humor38 %17 %18 %28 %
27.5 %≈ 23′Tension41 %21 %20 %27 %
32.5 %≈ 27′Humor45 %29 %30 %29 %
37.5 %≈ 31′Joy46 %30 %31 %24 %
42.5 %≈ 35′Tension46 %31 %23 %22 %
47.5 %≈ 39′Love47 %37 %26 %25 %
52.5 %≈ 44′Love47 %39 %28 %22 %
57.5 %≈ 48′Love47 %39 %28 %20 %
62.5 %≈ 52′Love47 %40 %30 %28 %
67.5 %≈ 56′Love50 %43 %29 %32 %
72.5 %≈ 60′Love51 %43 %29 %32 %
77.5 %≈ 64′Tension50 %39 %33 %28 %
82.5 %≈ 68′Joy54 %44 %43 %22 %
87.5 %≈ 73′Love57 %48 %47 %15 %
92.5 %≈ 77′Joy62 %49 %48 %16 %
97.5 %≈ 81′Love68 %58 %55 %23 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

BP
Brendan Penny

Luke Bennett

SM
Sherry Miller

SM
Sherry Miller

Gloria Fitzwilliam

Art Hindle

Edward Fitzwilliam

AH
Anna Hardwick

Caylee

MD
Morgan David Jones

Carl Downs

MW
Mark Wiebe

Jim Bennett

SB
Steve Belford

Parker Fitzwilliam

GK
Genevieve Kang

Erica

RF
Robinne Fanfair

Ms. Avery

AH
Ali Hassan

Desmond

CT
Catherine Thomas

Charlene Johanson

Paulino Nunes

Mark Spencer

EP
Ellora Patnaik

Beverly

KL
Kimberly Laferriere

Monica

Details

Directed by
Don McBrearty
Written by
Nina Weinman, Melissa de la Cruz
Type
Movies
Released
2018
Runtime
83 min
Country
United States
Genres
Romance
Ratings
★ IMDb 6.2 · 2,722 ratings
Feels mostly
Happiness
Data updated

Where to watch

Data: JustWatch

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Emotion overlap shows mood similarity, not a prediction of enjoyment.