Sweethearts
2019 · 107 min · Director: Karoline Herfurth, Karoline Herfurth
Show plot summary (may contain spoilers)
Forced together by fate and an ill-executed diamond robbery, professional criminal Mel and her easily-panicked hostage Franny are in a race against time. Soon pursued by a relentless detective and the greedy Berlin underworld, the mismatched pair are left with no other choice than to work together.
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Emotional fingerprint
Sweethearts (2019) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Empathy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Empathy15%
- Relief15%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Empathy. Genres: Comedy, Romance, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Empathy. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 43 % | 22 % | 32 % | 22 % |
| 7.5 % | ≈ 8′ | Tension | 54 % | 43 % | 30 % | 28 % |
| 12.5 % | ≈ 13′ | Tension | 59 % | 54 % | 32 % | 29 % |
| 17.5 % | ≈ 19′ | Tension | 59 % | 55 % | 34 % | 31 % |
| 22.5 % | ≈ 24′ | Tension | 59 % | 54 % | 32 % | 39 % |
| 27.5 % | ≈ 29′ | Empathy | 57 % | 49 % | 36 % | 40 % |
| 32.5 % | ≈ 35′ | Tension | 59 % | 46 % | 35 % | 40 % |
| 37.5 % | ≈ 40′ | Empathy | 55 % | 35 % | 28 % | 46 % |
| 42.5 % | ≈ 45′ | Empathy | 54 % | 34 % | 33 % | 44 % |
| 47.5 % | ≈ 51′ | Tension | 61 % | 46 % | 46 % | 33 % |
| 52.5 % | ≈ 56′ | Humor | 60 % | 44 % | 50 % | 31 % |
| 57.5 % | ≈ 62′ | Empathy | 50 % | 36 % | 41 % | 35 % |
| 62.5 % | ≈ 67′ | Humor | 44 % | 34 % | 30 % | 34 % |
| 67.5 % | ≈ 72′ | Empathy | 45 % | 30 % | 29 % | 34 % |
| 72.5 % | ≈ 78′ | Humor | 56 % | 39 % | 34 % | 36 % |
| 77.5 % | ≈ 83′ | Tension | 73 % | 64 % | 24 % | 46 % |
| 82.5 % | ≈ 88′ | Tension | 79 % | 75 % | 13 % | 57 % |
| 87.5 % | ≈ 94′ | Tension | 74 % | 65 % | 23 % | 53 % |
| 92.5 % | ≈ 99′ | Relief | 64 % | 41 % | 40 % | 38 % |
| 97.5 % | ≈ 104′ | Humor | 55 % | 18 % | 48 % | 28 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Holly
Annett
Tommy
Nico
Cornelia Talgräber
Nadine
Details
- Directed by
- Karoline Herfurth, Karoline Herfurth
- Written by
- Monika Fäßler, Karoline Herfurth
- Type
- Movies
- Released
- 2019
- Runtime
- 107 min
- Country
- Germany
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





