Rojo
2018 · 106 min · Director: Benjamín Naishtat
Show plot summary (may contain spoilers)
Argentina, 1976. Claudio Morán is a successful and respected lawyer of an Argentinian town that suffers an incident with another client in the restaurant where he awaits for his wife Susana to dinner, who reclaims his table to seat and eat. Mocking him about the stranger's bad manners and poor education, Claudio's words make that the stranger suddenly explodes in rage against everybody, being forced by the staff to leave the local just when Susana arrives. When they two are in the car to back home, the stranger appears again hitting the car and running away. Leaving the car behind the stranger to stop him, this one intercepts Claudio and both have a fight. Trying to calm him, Claudio see as the stranger hits himself and takes a gun pointing Claudio and Susana, who followed his husband, but instead to kill them the stranger shoots himself in the face. Seriously injured, Claudio takes the stranger into the car and leaves Susana in home saying her that he will moves the stranger to the hospital, but Claudio leaves him in the desert to die. Three months later, Claudio's life remains equal with Susana and their teenage daughter Paula, receiving the visit of Susana's best friend Mabel, her husband Vivas and their child. In the days previous to the General Videla coup d'etat that will change the country forever, with the military intervention above the horizon, violence unleashed by everywhere and people that miss every day, things complicate for Claudio when Mabel suffers a nervous breakdown during an expo art. Worried by her, Vivas reports Claudio about Mabel's stranded younger brother Dieguito, who years ago joined revolutionary movements to fight against repression of the government, missed three months ago while he traveled to meet Mabel. Realizing that the stranger was Mabel's brother, Claudio starts to feel cornered when Vivas tells him that he and Mabel have call famous Chilean detective Sinclair to find Dieguito if he's alive...or to his assassin if he's dead.
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Emotional fingerprint
Rojo (2018) — Movie. Top emotional signals: Tension 32%, Confusion 22%, Anxiety 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension32%
- Confusion22%
- Anxiety18%
- Disturbing15%
- Curiosity13%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Confusion, Anxiety. Genres: Thriller, Drama, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Confusion and Anxiety. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 37 % | 37 % | 8 % | 22 % |
| 7.5 % | ≈ 8′ | Tension | 59 % | 59 % | 29 % | 25 % |
| 12.5 % | ≈ 13′ | Tension | 83 % | 80 % | 60 % | 30 % |
| 17.5 % | ≈ 19′ | Disturbing | 73 % | 65 % | 61 % | 29 % |
| 22.5 % | ≈ 24′ | Curiosity | 42 % | 30 % | 29 % | 21 % |
| 27.5 % | ≈ 29′ | Sadness | 33 % | 21 % | 15 % | 25 % |
| 32.5 % | ≈ 34′ | Curiosity | 43 % | 32 % | 28 % | 38 % |
| 37.5 % | ≈ 40′ | Curiosity | 48 % | 38 % | 35 % | 43 % |
| 42.5 % | ≈ 45′ | Curiosity | 48 % | 36 % | 36 % | 43 % |
| 47.5 % | ≈ 50′ | Disturbing | 48 % | 35 % | 38 % | 38 % |
| 52.5 % | ≈ 56′ | Tension | 54 % | 44 % | 43 % | 33 % |
| 57.5 % | ≈ 61′ | Tension | 65 % | 59 % | 49 % | 43 % |
| 62.5 % | ≈ 66′ | Curiosity | 65 % | 60 % | 39 % | 55 % |
| 67.5 % | ≈ 72′ | Curiosity | 63 % | 59 % | 29 % | 55 % |
| 72.5 % | ≈ 77′ | Tension | 69 % | 66 % | 40 % | 50 % |
| 77.5 % | ≈ 82′ | Tension | 70 % | 66 % | 48 % | 49 % |
| 82.5 % | ≈ 87′ | Curiosity | 73 % | 69 % | 46 % | 55 % |
| 87.5 % | ≈ 93′ | Tension | 83 % | 81 % | 60 % | 55 % |
| 92.5 % | ≈ 98′ | Tension | 79 % | 73 % | 68 % | 38 % |
| 97.5 % | ≈ 103′ | Disturbing | 63 % | 48 % | 57 % | 20 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Paula
Vivas
Santiago
Mago
Mabel
Amigo de Dario
Helena
Chica Magia
Locutora desfile
Estelita
Mozo
Joven músico
Franco
Amigo conductor
Mario
Details
- Directed by
- Benjamín Naishtat
- Written by
- Benjamín Naishtat
- Type
- Movies
- Released
- 2018
- Runtime
- 106 min
- Country
- Argentina, Brazil, France, Netherlands, Germany, Belgium, Switzerland
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Free
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





