Honeyland
2019 · 89 min · Director: Tamara Kotevska, Ljubomir Stefanov
Show plot summary (may contain spoilers)
The last female beehunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. This film which is filmed in Macedonia is an exploration of an observational Indigenous visual narrative that deeply impacts our behavior towards natural resources and the human condition.
Emotional fingerprint
Honeyland (2019) — Movie. Top emotional signals: Empathy 28%, Awe 22%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy28%
- Awe22%
- Sadness20%
- Melancholy15%
- Inspiration10%
- Hope5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Awe, Sadness. Genres: Drama, Documentary. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Awe and Sadness. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 7′ | Empathy | 46 % | 45 % | 27 % | 13 % |
| 12.5 % | ≈ 11′ | Empathy | 37 % | 35 % | 20 % | 10 % |
| 17.5 % | ≈ 16′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 22.5 % | ≈ 20′ | Love | 47 % | 27 % | 7 % | 32 % |
| 27.5 % | ≈ 24′ | Tension | 48 % | 29 % | 11 % | 41 % |
| 32.5 % | ≈ 29′ | Love | 39 % | 22 % | 9 % | 35 % |
| 37.5 % | ≈ 33′ | Tension | 39 % | 24 % | 16 % | 27 % |
| 42.5 % | ≈ 38′ | Sadness | 47 % | 37 % | 30 % | 25 % |
| 47.5 % | ≈ 42′ | Tension | 54 % | 44 % | 25 % | 25 % |
| 52.5 % | ≈ 47′ | Love | 61 % | 43 % | 14 % | 26 % |
| 57.5 % | ≈ 51′ | Tension | 63 % | 40 % | 21 % | 46 % |
| 62.5 % | ≈ 56′ | Tension | 66 % | 45 % | 38 % | 63 % |
| 67.5 % | ≈ 60′ | Tension | 63 % | 49 % | 43 % | 57 % |
| 72.5 % | ≈ 65′ | Empathy | 64 % | 54 % | 49 % | 52 % |
| 77.5 % | ≈ 69′ | Sadness | 64 % | 56 % | 53 % | 50 % |
| 82.5 % | ≈ 73′ | Love | 56 % | 50 % | 43 % | 33 % |
| 87.5 % | ≈ 78′ | Sadness | 57 % | 52 % | 43 % | 20 % |
| 92.5 % | ≈ 82′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 87′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Self
Self
Details
- Directed by
- Tamara Kotevska, Ljubomir Stefanov
- Written by
- Tamara Kotevska, Ljubomir Stefanov
- Type
- Movies
- Released
- 2019
- Runtime
- 89 min
- Country
- North Macedonia, United States, Switzerland
- Genres
- Drama, Documentary
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
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