Christmas at the Palace
2018 · 90 min · Director: Peter Hewitt
Show plot summary (may contain spoilers)
A king who is struggling to live up to his father's name hires an ice skating choreographer for a special Christmas Eve performance to celebrate the founding of his nation.
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Emotional fingerprint
Christmas at the Palace (2018) — Movie. Top emotional signals: Love 35%, Joy 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Joy25%
- Anticipation20%
- Satisfaction10%
- Smile10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Joy, Anticipation. Genres: Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Joy and Anticipation. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Joy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Love
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Joy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Joy | 43 % | 23 % | 40 % | 30 % |
| 7.5 % | ≈ 7′ | Joy | 46 % | 28 % | 43 % | 34 % |
| 12.5 % | ≈ 11′ | Joy | 48 % | 26 % | 43 % | 38 % |
| 17.5 % | ≈ 16′ | Love | 43 % | 28 % | 34 % | 35 % |
| 22.5 % | ≈ 20′ | Humor | 42 % | 30 % | 31 % | 34 % |
| 27.5 % | ≈ 25′ | Joy | 44 % | 31 % | 36 % | 31 % |
| 32.5 % | ≈ 29′ | Joy | 45 % | 35 % | 36 % | 28 % |
| 37.5 % | ≈ 34′ | Love | 47 % | 41 % | 38 % | 32 % |
| 42.5 % | ≈ 38′ | Love | 49 % | 45 % | 36 % | 36 % |
| 47.5 % | ≈ 43′ | Love | 49 % | 46 % | 33 % | 34 % |
| 52.5 % | ≈ 47′ | Love | 49 % | 46 % | 34 % | 31 % |
| 57.5 % | ≈ 52′ | Love | 49 % | 48 % | 33 % | 30 % |
| 62.5 % | ≈ 56′ | Love | 54 % | 53 % | 31 % | 29 % |
| 67.5 % | ≈ 61′ | Love | 57 % | 55 % | 31 % | 24 % |
| 72.5 % | ≈ 65′ | Love | 57 % | 51 % | 24 % | 20 % |
| 77.5 % | ≈ 70′ | Sadness | 58 % | 48 % | 21 % | 21 % |
| 82.5 % | ≈ 74′ | Love | 64 % | 56 % | 39 % | 24 % |
| 87.5 % | ≈ 79′ | Love | 74 % | 71 % | 60 % | 26 % |
| 92.5 % | ≈ 83′ | Love | 81 % | 80 % | 68 % | 28 % |
| 97.5 % | ≈ 88′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Nicholas
Aunt Patricia
Princess Christina
Doctor
Clerk
Nathan
Ice Rink Manager
Skating Choreographer
Double Christina
Details
- Directed by
- Peter Hewitt
- Written by
- Joie Botkin, Rick Garman, Matthew Coppola
- Type
- Movies
- Released
- 2018
- Runtime
- 90 min
- Country
- United States
- Genres
- Romance
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Subscription
Rent
Data: JustWatch
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