Take the Ball Pass the Ball: The Making of the Greatest Team in the World
2018 · 107 min · Director: Duncan McMath
Show plot summary (may contain spoilers)
Take the Ball, Pass the Ball is the definitive story of the greatest football team ever assembled. For four explosive years Pep Guardiola's Barça produced the greatest football in history, seducing fans around the world. In this exclusive, first-hand account of events between 2008 and 2012, the players themselves reveal the tension of the bitter Guardiola-Mourinho rivalry, the emotion of Abidal's fight back from cancer to lift the European Cup and how Messi, the best footballer the world's ever seen, was almost rejected by Barça as a 13-year-old.
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Emotional fingerprint
Take the Ball Pass the Ball: The Making of the Greatest Team in the World (2018) — Movie. Top emotional signals: Excitement 30%, Inspiration 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Inspiration25%
- Awe20%
- Hope15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Inspiration, Awe. Genres: Documentary, Sport. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Inspiration and Awe. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Inspiration
- Awe
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Awe
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Inspiration
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Inspiration | Awe | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Awe | 57 % | 37 % | 47 % | 48 % |
| 7.5 % | ≈ 8′ | Joy | 60 % | 28 % | 30 % | 39 % |
| 12.5 % | ≈ 13′ | Tension | 65 % | 21 % | 23 % | 21 % |
| 17.5 % | ≈ 19′ | Awe | 73 % | 40 % | 38 % | 29 % |
| 22.5 % | ≈ 24′ | Inspiration | 73 % | 61 % | 43 % | 41 % |
| 27.5 % | ≈ 29′ | Inspiration | 55 % | 54 % | 31 % | 30 % |
| 32.5 % | ≈ 35′ | Inspiration | 41 % | 34 % | 20 % | 15 % |
| 37.5 % | ≈ 40′ | Tension | 43 % | 26 % | 18 % | 11 % |
| 42.5 % | ≈ 45′ | Inspiration | 49 % | 36 % | 30 % | 20 % |
| 47.5 % | ≈ 51′ | Awe | 56 % | 43 % | 48 % | 30 % |
| 52.5 % | ≈ 56′ | Awe | 60 % | 36 % | 56 % | 36 % |
| 57.5 % | ≈ 62′ | Awe | 56 % | 29 % | 44 % | 33 % |
| 62.5 % | ≈ 67′ | Tension | 51 % | 29 % | 20 % | 18 % |
| 67.5 % | ≈ 72′ | Inspiration | 49 % | 36 % | 14 % | 14 % |
| 72.5 % | ≈ 78′ | Inspiration | 50 % | 41 % | 24 % | 28 % |
| 77.5 % | ≈ 83′ | Joy | 60 % | 46 % | 33 % | 44 % |
| 82.5 % | ≈ 88′ | Tension | 68 % | 44 % | 30 % | 46 % |
| 87.5 % | ≈ 94′ | Joy | 66 % | 35 % | 24 % | 38 % |
| 92.5 % | ≈ 99′ | Sadness | 60 % | 36 % | 25 % | 28 % |
| 97.5 % | ≈ 104′ | Inspiration | 52 % | 42 % | 28 % | 23 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Details
- Directed by
- Duncan McMath
- Written by
- Graham Hunter
- Type
- Movies
- Released
- 2018
- Runtime
- 107 min
- Country
- Spain
- Genres
- Documentary, Sport
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Data: JustWatch
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