Despite Everything
2019 · 75 min · Director: Gabriela Tagliavini
Show plot summary (may contain spoilers)
Sisters Sara, Lucía, Sofía, and Claudia are modern women with very different personalities who come together at their mother's funeral, after which they discover that the man they all called "dad" is not really their father. They embark on a quest to discover who their real fathers are, discovering more about themselves, their mother, and their lives.
Emotional fingerprint
Despite Everything (2019) — Movie. Top emotional signals: Humor 35%, Empathy 25%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Empathy25%
- Sadness15%
- Satisfaction15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Sadness. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Sadness. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Humor
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Humor | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 45 % | 8 % | 30 % | 22 % |
| 7.5 % | ≈ 6′ | Humor | 46 % | 6 % | 38 % | 23 % |
| 12.5 % | ≈ 9′ | Humor | 48 % | 8 % | 41 % | 26 % |
| 17.5 % | ≈ 13′ | Curiosity | 54 % | 11 % | 40 % | 44 % |
| 22.5 % | ≈ 17′ | Curiosity | 65 % | 15 % | 46 % | 63 % |
| 27.5 % | ≈ 21′ | Humor | 66 % | 19 % | 56 % | 61 % |
| 32.5 % | ≈ 24′ | Humor | 61 % | 15 % | 60 % | 51 % |
| 37.5 % | ≈ 28′ | Humor | 56 % | 13 % | 51 % | 43 % |
| 42.5 % | ≈ 32′ | Sadness | 51 % | 19 % | 40 % | 39 % |
| 47.5 % | ≈ 36′ | Humor | 54 % | 20 % | 41 % | 41 % |
| 52.5 % | ≈ 39′ | Tension | 61 % | 18 % | 50 % | 44 % |
| 57.5 % | ≈ 43′ | Humor | 64 % | 19 % | 59 % | 49 % |
| 62.5 % | ≈ 47′ | Humor | 60 % | 29 % | 51 % | 50 % |
| 67.5 % | ≈ 51′ | Love | 56 % | 43 % | 34 % | 45 % |
| 72.5 % | ≈ 54′ | Love | 57 % | 36 % | 28 % | 36 % |
| 77.5 % | ≈ 58′ | Tension | 65 % | 26 % | 21 % | 28 % |
| 82.5 % | ≈ 62′ | Sadness | 71 % | 43 % | 13 % | 30 % |
| 87.5 % | ≈ 66′ | Love | 76 % | 68 % | 11 % | 39 % |
| 92.5 % | ≈ 69′ | Love | 83 % | 81 % | 21 % | 35 % |
| 97.5 % | ≈ 73′ | Love | 85 % | 85 % | 37 % | 22 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Despite Everything. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Madre Alejandro
Marta
Guardia de seguridad
Mujer mayor 1
Mujer mayor 2 (as Maria Jesús Ruth)
Ejecutivo banal
Brad
Waitress (uncredited)
Details
- Directed by
- Gabriela Tagliavini
- Written by
- Gabriela Tagliavini, Eugene Rhee, Helena Rhee, Eric Charles Wilkinson, Eugene B. Rhee
- Type
- Movies
- Released
- 2019
- Runtime
- 75 min
- Country
- Spain
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
