Iron Fists and Kung Fu Kicks
2019 · 108 min · Director: Serge Ou
Show plot summary (may contain spoilers)
From Hong Kong to Hollywood, the Shaw Brothers to The Matrix, martial arts in cinema has been busting box offices and breaking barriers since the 1960s. This is the wild untold story of how the way of the dragon became a global phenomenon.
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Emotional fingerprint
Iron Fists and Kung Fu Kicks (2019) — Movie. Top emotional signals: Excitement 35%, Awe 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Awe25%
- Inspiration20%
- Satisfaction10%
- Curiosity10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Awe, Inspiration. Genres: History, Documentary. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Awe and Inspiration. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Inspiration
- Curiosity
- Excitement
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Inspiration
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Excitement
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Inspiration | Curiosity | Excitement |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 53 % | 37 % | 53 % | 38 % |
| 7.5 % | ≈ 8′ | Curiosity | 53 % | 32 % | 51 % | 35 % |
| 12.5 % | ≈ 14′ | Curiosity | 52 % | 28 % | 49 % | 30 % |
| 17.5 % | ≈ 19′ | Curiosity | 49 % | 29 % | 46 % | 25 % |
| 22.5 % | ≈ 24′ | Curiosity | 52 % | 36 % | 44 % | 26 % |
| 27.5 % | ≈ 30′ | Inspiration | 59 % | 43 % | 45 % | 36 % |
| 32.5 % | ≈ 35′ | Curiosity | 60 % | 35 % | 48 % | 40 % |
| 37.5 % | ≈ 41′ | Sadness | 58 % | 24 % | 45 % | 33 % |
| 42.5 % | ≈ 46′ | Humor | 53 % | 14 % | 44 % | 25 % |
| 47.5 % | ≈ 51′ | Curiosity | 50 % | 19 % | 45 % | 24 % |
| 52.5 % | ≈ 57′ | Inspiration | 53 % | 40 % | 46 % | 29 % |
| 57.5 % | ≈ 62′ | Inspiration | 57 % | 51 % | 48 % | 36 % |
| 62.5 % | ≈ 68′ | Inspiration | 58 % | 49 % | 45 % | 40 % |
| 67.5 % | ≈ 73′ | Humor | 58 % | 46 % | 41 % | 39 % |
| 72.5 % | ≈ 78′ | Inspiration | 60 % | 48 % | 41 % | 43 % |
| 77.5 % | ≈ 84′ | Excitement | 61 % | 45 % | 44 % | 45 % |
| 82.5 % | ≈ 89′ | Inspiration | 56 % | 44 % | 46 % | 39 % |
| 87.5 % | ≈ 95′ | Curiosity | 56 % | 48 % | 49 % | 38 % |
| 92.5 % | ≈ 100′ | Inspiration | 62 % | 57 % | 46 % | 36 % |
| 97.5 % | ≈ 105′ | Inspiration | 67 % | 67 % | 40 % | 30 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Details
- Directed by
- Serge Ou
- Written by
- Grady Hendrix, Serge Ou
- Type
- Movies
- Released
- 2019
- Runtime
- 108 min
- Country
- Australia
- Genres
- History, Documentary
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





