Stowaway
2021 · 116 min · Director: Joe Penna
Show plot summary (may contain spoilers)
The crew of a spaceship headed to Mars discovers an accidental stowaway shortly after takeoff. Too far from Earth to turn back and with resources quickly dwindling, the ship's medical researcher emerges as the only dissenting voice against the group consensus that has already decided in favor of a grim outcome.
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Emotional fingerprint
Stowaway (2021) — Movie. Top emotional signals: Anxiety 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Fear. Genres: Thriller, Adventure, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Empathy
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 48 % | 40 % | 8 % | 0 % |
| 7.5 % | ≈ 9′ | Hope | 41 % | 24 % | 15 % | 3 % |
| 12.5 % | ≈ 15′ | Hope | 48 % | 25 % | 24 % | 8 % |
| 17.5 % | ≈ 20′ | Tension | 65 % | 50 % | 38 % | 18 % |
| 22.5 % | ≈ 26′ | Empathy | 65 % | 48 % | 50 % | 25 % |
| 27.5 % | ≈ 32′ | Hope | 50 % | 26 % | 40 % | 16 % |
| 32.5 % | ≈ 38′ | Curiosity | 44 % | 29 % | 25 % | 9 % |
| 37.5 % | ≈ 44′ | Tension | 55 % | 48 % | 33 % | 25 % |
| 42.5 % | ≈ 49′ | Sadness | 73 % | 65 % | 48 % | 48 % |
| 47.5 % | ≈ 55′ | Tension | 80 % | 68 % | 59 % | 57 % |
| 52.5 % | ≈ 61′ | Sadness | 83 % | 60 % | 74 % | 70 % |
| 57.5 % | ≈ 67′ | Sadness | 81 % | 59 % | 76 % | 70 % |
| 62.5 % | ≈ 73′ | Hope | 74 % | 60 % | 64 % | 44 % |
| 67.5 % | ≈ 78′ | Hope | 71 % | 64 % | 51 % | 20 % |
| 72.5 % | ≈ 84′ | Tension | 75 % | 73 % | 40 % | 10 % |
| 77.5 % | ≈ 90′ | Tension | 84 % | 84 % | 44 % | 20 % |
| 82.5 % | ≈ 96′ | Tension | 91 % | 84 % | 64 % | 50 % |
| 87.5 % | ≈ 102′ | Sadness | 84 % | 56 % | 69 % | 60 % |
| 92.5 % | ≈ 107′ | Hope | 70 % | 27 % | 55 % | 43 % |
| 97.5 % | ≈ 113′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Joe Penna
- Written by
- Joe Penna, Ryan Morrison
- Type
- Movies
- Released
- 2021
- Runtime
- 116 min
- Country
- United Kingdom, Germany, United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





