Mermaid in Paris
2020 · 102 min · Director: Mathias Malzieu
Show plot summary (may contain spoilers)
Gaspard, a man who has gone through breakups, believes he has no more love to give. One day, he crosses paths with an injured mermaid, Lula, by the Seine in Paris and takes her home to heal in his bathtub, but learns that any man who falls in love with her dies. Initially immune to her endearing charm, Gaspard slowly falls in love with Lula, who also truly falls for him.
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Emotional fingerprint
Mermaid in Paris (2020) — Movie. Top emotional signals: Love 35%, Sadness 20%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Sadness20%
- Awe20%
- Anticipation15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Awe. Genres: Comedy, Romance, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Awe. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 37 % | 13 % | 5 % | 20 % |
| 7.5 % | ≈ 8′ | Humor | 43 % | 10 % | 18 % | 30 % |
| 12.5 % | ≈ 13′ | Sadness | 51 % | 10 % | 36 % | 33 % |
| 17.5 % | ≈ 18′ | Tension | 55 % | 18 % | 44 % | 20 % |
| 22.5 % | ≈ 23′ | Humor | 55 % | 26 % | 36 % | 13 % |
| 27.5 % | ≈ 28′ | Humor | 58 % | 29 % | 35 % | 24 % |
| 32.5 % | ≈ 33′ | Sadness | 61 % | 25 % | 46 % | 41 % |
| 37.5 % | ≈ 38′ | Humor | 59 % | 26 % | 44 % | 37 % |
| 42.5 % | ≈ 43′ | Humor | 55 % | 32 % | 26 % | 26 % |
| 47.5 % | ≈ 48′ | Curiosity | 59 % | 32 % | 28 % | 30 % |
| 52.5 % | ≈ 54′ | Tension | 63 % | 35 % | 44 % | 36 % |
| 57.5 % | ≈ 59′ | Love | 63 % | 49 % | 41 % | 34 % |
| 62.5 % | ≈ 64′ | Love | 65 % | 60 % | 29 % | 30 % |
| 67.5 % | ≈ 69′ | Love | 69 % | 64 % | 29 % | 32 % |
| 72.5 % | ≈ 74′ | Love | 72 % | 68 % | 41 % | 39 % |
| 77.5 % | ≈ 79′ | Love | 79 % | 70 % | 60 % | 48 % |
| 82.5 % | ≈ 84′ | Tension | 83 % | 69 % | 74 % | 51 % |
| 87.5 % | ≈ 89′ | Love | 79 % | 66 % | 73 % | 49 % |
| 92.5 % | ≈ 94′ | Love | 73 % | 63 % | 65 % | 48 % |
| 97.5 % | ≈ 99′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Pin-up
Biologist
Client Zazou
Emergency doctor
Fire Chief
Self - The Barberettes
Self - The Barberettes
Self - The Barberettes
Nurse
Old fisherman
Doctor
Details
- Directed by
- Mathias Malzieu
- Written by
- Mathias Malzieu, Stéphane Landowski
- Type
- Movies
- Released
- 2020
- Runtime
- 102 min
- Country
- France
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





