The Wrong Missy
2020 · 90 min · Director: Tyler Spindel
Show plot summary (may contain spoilers)
Tim thinks he's invited the woman of his dreams on a work retreat to Hawaii, realizing too late he mistakenly texted someone from a nightmare blind date.
Emotional fingerprint
The Wrong Missy (2020) — Movie. Top emotional signals: Humor 38%, Surprise 22%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Love. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Love. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 57 % | 55 % | 30 % | 13 % |
| 7.5 % | ≈ 7′ | Humor | 57 % | 54 % | 25 % | 19 % |
| 12.5 % | ≈ 11′ | Humor | 59 % | 54 % | 16 % | 31 % |
| 17.5 % | ≈ 16′ | Humor | 61 % | 57 % | 19 % | 33 % |
| 22.5 % | ≈ 20′ | Humor | 63 % | 60 % | 29 % | 24 % |
| 27.5 % | ≈ 25′ | Humor | 63 % | 61 % | 35 % | 19 % |
| 32.5 % | ≈ 29′ | Humor | 65 % | 63 % | 44 % | 18 % |
| 37.5 % | ≈ 34′ | Humor | 66 % | 60 % | 49 % | 18 % |
| 42.5 % | ≈ 38′ | Humor | 65 % | 54 % | 50 % | 14 % |
| 47.5 % | ≈ 43′ | Tension | 69 % | 49 % | 60 % | 9 % |
| 52.5 % | ≈ 47′ | Tension | 69 % | 49 % | 61 % | 8 % |
| 57.5 % | ≈ 52′ | Humor | 64 % | 54 % | 48 % | 9 % |
| 62.5 % | ≈ 56′ | Humor | 66 % | 63 % | 35 % | 18 % |
| 67.5 % | ≈ 61′ | Humor | 69 % | 66 % | 23 % | 33 % |
| 72.5 % | ≈ 65′ | Humor | 66 % | 63 % | 14 % | 41 % |
| 77.5 % | ≈ 70′ | Humor | 64 % | 59 % | 19 % | 35 % |
| 82.5 % | ≈ 74′ | Humor | 61 % | 51 % | 29 % | 20 % |
| 87.5 % | ≈ 79′ | Sadness | 63 % | 43 % | 25 % | 24 % |
| 92.5 % | ≈ 83′ | Joy | 64 % | 45 % | 14 % | 35 % |
| 97.5 % | ≈ 88′ | Humor | 60 % | 52 % | 12 % | 27 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Wrong Missy. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Titone
Barbara Winstone
Camille
Waitress
Airline Employee
Airport Bartender
Details
- Directed by
- Tyler Spindel
- Written by
- Kevin Barnett, Chris Pappas
- Type
- Movies
- Released
- 2020
- Runtime
- 90 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
