The Godfather
1972 · 175 min · Director: Francis Ford Coppola
Show plot summary (may contain spoilers)
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
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Emotional fingerprint
The Godfather (1972) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Anxiety25%
- Empathy20%
- Satisfaction15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Empathy. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Empathy. Its IMDb rating of 9.2/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Emotional journey
- Tension
- Disturbing
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Disturbing | 53 % | 42 % | 42 % | 30 % |
| 7.5 % | ≈ 13′ | Curiosity | 43 % | 30 % | 23 % | 14 % |
| 12.5 % | ≈ 22′ | Curiosity | 43 % | 33 % | 18 % | 6 % |
| 17.5 % | ≈ 31′ | Tension | 49 % | 44 % | 23 % | 5 % |
| 22.5 % | ≈ 39′ | Tension | 56 % | 54 % | 29 % | 9 % |
| 27.5 % | ≈ 48′ | Tension | 65 % | 61 % | 38 % | 20 % |
| 32.5 % | ≈ 57′ | Tension | 69 % | 65 % | 38 % | 23 % |
| 37.5 % | ≈ 66′ | Tension | 74 % | 73 % | 40 % | 19 % |
| 42.5 % | ≈ 74′ | Tension | 77 % | 77 % | 44 % | 16 % |
| 47.5 % | ≈ 83′ | Tension | 73 % | 71 % | 39 % | 19 % |
| 52.5 % | ≈ 92′ | Tension | 59 % | 55 % | 31 % | 21 % |
| 57.5 % | ≈ 101′ | Tension | 55 % | 49 % | 35 % | 23 % |
| 62.5 % | ≈ 109′ | Disturbing | 71 % | 61 % | 56 % | 44 % |
| 67.5 % | ≈ 118′ | Sadness | 81 % | 66 % | 65 % | 69 % |
| 72.5 % | ≈ 127′ | Sadness | 73 % | 59 % | 49 % | 59 % |
| 77.5 % | ≈ 136′ | Tension | 64 % | 57 % | 33 % | 35 % |
| 82.5 % | ≈ 144′ | Tension | 61 % | 55 % | 23 % | 34 % |
| 87.5 % | ≈ 153′ | Sadness | 64 % | 54 % | 29 % | 38 % |
| 92.5 % | ≈ 162′ | Tension | 74 % | 66 % | 55 % | 36 % |
| 97.5 % | ≈ 171′ | Tension | 80 % | 75 % | 70 % | 42 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Johnny Fontane
Mama Corleone
Luca Brasi
Paulie Gatto
Bonasera
Details
- Directed by
- Francis Ford Coppola
- Written by
- Francis Ford Coppola, Mario Puzo
- Type
- Movies
- Released
- 1972
- Runtime
- 175 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





