Rear Window
1954 · 113 min · Director: Alfred Hitchcock
Show plot summary (may contain spoilers)
A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
Emotional fingerprint
Rear Window (1954) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Fear 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Fear. Genres: Thriller, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Fear. Its IMDb rating of 8.4/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 32 % | 5 % | 18 % | 32 % |
| 7.5 % | ≈ 8′ | Humor | 36 % | 6 % | 16 % | 36 % |
| 12.5 % | ≈ 14′ | Humor | 43 % | 10 % | 14 % | 39 % |
| 17.5 % | ≈ 20′ | Love | 44 % | 16 % | 13 % | 29 % |
| 22.5 % | ≈ 25′ | Love | 44 % | 25 % | 13 % | 18 % |
| 27.5 % | ≈ 31′ | Love | 45 % | 31 % | 19 % | 16 % |
| 32.5 % | ≈ 37′ | Curiosity | 43 % | 32 % | 33 % | 19 % |
| 37.5 % | ≈ 42′ | Curiosity | 46 % | 39 % | 46 % | 20 % |
| 42.5 % | ≈ 48′ | Curiosity | 58 % | 49 % | 58 % | 18 % |
| 47.5 % | ≈ 54′ | Curiosity | 60 % | 49 % | 61 % | 16 % |
| 52.5 % | ≈ 59′ | Curiosity | 55 % | 43 % | 57 % | 15 % |
| 57.5 % | ≈ 65′ | Curiosity | 50 % | 36 % | 51 % | 15 % |
| 62.5 % | ≈ 71′ | Curiosity | 48 % | 33 % | 49 % | 23 % |
| 67.5 % | ≈ 76′ | Curiosity | 54 % | 39 % | 48 % | 23 % |
| 72.5 % | ≈ 82′ | Sadness | 65 % | 50 % | 49 % | 14 % |
| 77.5 % | ≈ 88′ | Curiosity | 71 % | 60 % | 59 % | 10 % |
| 82.5 % | ≈ 93′ | Tension | 78 % | 73 % | 57 % | 9 % |
| 87.5 % | ≈ 99′ | Tension | 85 % | 84 % | 49 % | 8 % |
| 92.5 % | ≈ 105′ | Tension | 86 % | 85 % | 44 % | 11 % |
| 97.5 % | ≈ 110′ | Tension | 85 % | 82 % | 35 % | 17 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Rear Window. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Miss Hearing Aid
Newlywed
Emma Thorwald
Newlywed
Dancer with Miss Torso (uncredited)
Man with Miss Torso (uncredited)
Woman with Bird (uncredited)
(uncredited)
Detective (uncredited)
Details
- Directed by
- Alfred Hitchcock
- Written by
- John Michael Hayes
- Type
- Movies
- Released
- 1954
- Runtime
- 113 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
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