One Battle After Another
2025 · 162 min · Director: Paul Thomas Anderson
Show plot summary (may contain spoilers)
Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa. When his evil nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.
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Emotional fingerprint
One Battle After Another (2025) — Movie. Top emotional signals: Tension 30%, Excitement 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Excitement25%
- Anxiety20%
- Curiosity15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Excitement, Anxiety. Genres: Thriller, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Excitement and Anxiety. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 67 % | 60 % | 20 % | 5 % |
| 7.5 % | ≈ 12′ | Tension | 70 % | 61 % | 19 % | 5 % |
| 12.5 % | ≈ 20′ | Tension | 71 % | 61 % | 31 % | 9 % |
| 17.5 % | ≈ 28′ | Empathy | 61 % | 51 % | 40 % | 11 % |
| 22.5 % | ≈ 36′ | Humor | 51 % | 41 % | 28 % | 5 % |
| 27.5 % | ≈ 45′ | Tension | 56 % | 49 % | 23 % | 1 % |
| 32.5 % | ≈ 53′ | Tension | 68 % | 65 % | 33 % | 3 % |
| 37.5 % | ≈ 61′ | Tension | 76 % | 75 % | 41 % | 4 % |
| 42.5 % | ≈ 69′ | Tension | 80 % | 76 % | 48 % | 8 % |
| 47.5 % | ≈ 77′ | Tension | 80 % | 75 % | 46 % | 9 % |
| 52.5 % | ≈ 85′ | Tension | 75 % | 68 % | 41 % | 13 % |
| 57.5 % | ≈ 93′ | Humor | 66 % | 55 % | 35 % | 18 % |
| 62.5 % | ≈ 101′ | Tension | 68 % | 59 % | 33 % | 10 % |
| 67.5 % | ≈ 109′ | Tension | 79 % | 75 % | 45 % | 5 % |
| 72.5 % | ≈ 117′ | Tension | 86 % | 83 % | 57 % | 8 % |
| 77.5 % | ≈ 126′ | Tension | 86 % | 83 % | 59 % | 4 % |
| 82.5 % | ≈ 134′ | Tension | 86 % | 81 % | 61 % | 21 % |
| 87.5 % | ≈ 142′ | Relief | 85 % | 66 % | 69 % | 53 % |
| 92.5 % | ≈ 150′ | Empathy | 69 % | 35 % | 57 % | 45 % |
| 97.5 % | ≈ 158′ | Relief | 48 % | 13 % | 33 % | 23 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Talleyrand
Sandy Irvine
Junglepussy
Sober Rick
R.A. Rippey
Details
- Directed by
- Paul Thomas Anderson
- Written by
- Paul Thomas Anderson, Thomas Pynchon
- Type
- Movies
- Released
- 2025
- Runtime
- 162 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





