The Little Mermaid
2018 · 98 min · Director: Blake Harris, Chris Bouchard
Show plot summary (may contain spoilers)
A young reporter and his niece discover a beautiful and enchanting creature they believe to be the real little mermaid.
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Emotional fingerprint
The Little Mermaid (2018) — Movie. Top emotional signals: Love 30%, Awe 20%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Awe, Hope. Genres: Drama, Romance, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Awe and Hope. Its IMDb rating of 4.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 53/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Hope
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Hope | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 52 % | 28 % | 28 % | 25 % |
| 7.5 % | ≈ 7′ | Hope | 50 % | 29 % | 34 % | 23 % |
| 12.5 % | ≈ 12′ | Curiosity | 50 % | 20 % | 31 % | 15 % |
| 17.5 % | ≈ 17′ | Curiosity | 53 % | 21 % | 25 % | 9 % |
| 22.5 % | ≈ 22′ | Curiosity | 49 % | 29 % | 20 % | 9 % |
| 27.5 % | ≈ 27′ | Curiosity | 52 % | 40 % | 18 % | 10 % |
| 32.5 % | ≈ 32′ | Tension | 64 % | 49 % | 25 % | 13 % |
| 37.5 % | ≈ 37′ | Sadness | 63 % | 34 % | 35 % | 24 % |
| 42.5 % | ≈ 42′ | Love | 56 % | 23 % | 30 % | 43 % |
| 47.5 % | ≈ 47′ | Love | 61 % | 40 % | 20 % | 48 % |
| 52.5 % | ≈ 51′ | Tension | 71 % | 65 % | 23 % | 33 % |
| 57.5 % | ≈ 56′ | Tension | 74 % | 73 % | 39 % | 25 % |
| 62.5 % | ≈ 61′ | Hope | 73 % | 70 % | 50 % | 31 % |
| 67.5 % | ≈ 66′ | Tension | 76 % | 75 % | 46 % | 36 % |
| 72.5 % | ≈ 71′ | Tension | 84 % | 83 % | 48 % | 41 % |
| 77.5 % | ≈ 76′ | Tension | 85 % | 68 % | 56 % | 52 % |
| 82.5 % | ≈ 81′ | Love | 75 % | 29 % | 61 % | 54 % |
| 87.5 % | ≈ 86′ | Hope | 65 % | 5 % | 63 % | 40 % |
| 92.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 96′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ulysses
Margaret
Johnny Boy
Flirtatious Mom
Locke
Details
- Directed by
- Blake Harris, Chris Bouchard
- Written by
- Blake Harris
- Type
- Movies
- Released
- 2018
- Runtime
- 98 min
- Country
- United States of America
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Free
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





