Nineteen Eighty-Four
1984 · 113 min · Director: Michael Radford
Show plot summary (may contain spoilers)
George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.
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Emotional fingerprint
Nineteen Eighty-Four (1984) — Movie. Top emotional signals: Anxiety 35%, Fear 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Fear, Sadness. Genres: Drama, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Fear and Sadness. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Disturbing
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Disturbing | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 52 % | 45 % | 47 % | 13 % |
| 7.5 % | ≈ 8′ | Disturbing | 59 % | 56 % | 53 % | 14 % |
| 12.5 % | ≈ 14′ | Disturbing | 59 % | 59 % | 50 % | 18 % |
| 17.5 % | ≈ 20′ | Disturbing | 54 % | 54 % | 43 % | 19 % |
| 22.5 % | ≈ 25′ | Disturbing | 50 % | 50 % | 36 % | 19 % |
| 27.5 % | ≈ 31′ | Disturbing | 41 % | 36 % | 25 % | 23 % |
| 32.5 % | ≈ 37′ | Sadness | 33 % | 18 % | 15 % | 25 % |
| 37.5 % | ≈ 42′ | Sadness | 34 % | 18 % | 21 % | 23 % |
| 42.5 % | ≈ 48′ | Tension | 41 % | 29 % | 38 % | 15 % |
| 47.5 % | ≈ 54′ | Tension | 50 % | 25 % | 41 % | 9 % |
| 52.5 % | ≈ 59′ | Love | 57 % | 18 % | 33 % | 9 % |
| 57.5 % | ≈ 65′ | Love | 60 % | 24 % | 30 % | 23 % |
| 62.5 % | ≈ 71′ | Sadness | 63 % | 34 % | 41 % | 39 % |
| 67.5 % | ≈ 76′ | Tension | 68 % | 48 % | 55 % | 34 % |
| 72.5 % | ≈ 82′ | Disturbing | 74 % | 61 % | 64 % | 26 % |
| 77.5 % | ≈ 88′ | Tension | 80 % | 66 % | 74 % | 34 % |
| 82.5 % | ≈ 93′ | Tension | 85 % | 76 % | 81 % | 49 % |
| 87.5 % | ≈ 99′ | Disturbing | 90 % | 89 % | 84 % | 64 % |
| 92.5 % | ≈ 105′ | Disturbing | 93 % | 91 % | 83 % | 75 % |
| 97.5 % | ≈ 110′ | Sadness | 92 % | 88 % | 77 % | 82 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Julia
Syme
Tillotson's Friend
Jones
Winston Smith as a Boy
Winston's Mother
Winston's Sister
Mrs. Parsons
William Parsons
Susan Parsons
Details
- Directed by
- Michael Radford
- Written by
- Michael Radford, George Orwell
- Type
- Movies
- Released
- 1984
- Runtime
- 113 min
- Country
- Germany, Netherlands, United Kingdom
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





