The Dead Zone
1983 · 103 min · Director: David Cronenberg
Show plot summary (may contain spoilers)
Johnny Smith is a schoolteacher with his whole life ahead of him but, after leaving his fiancee's home one night, is involved in a car crash which leaves him in a coma for 5 years. When he wakes, he discovers he has an ability to see into the past, present and future life of anyone with whom he comes into physical contact.
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Emotional fingerprint
The Dead Zone (1983) — Movie. Top emotional signals: Anxiety 30%, Fear 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Fear25%
- Sadness20%
- Empathy15%
- Anticipation10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Fear, Sadness. Genres: Thriller, Horror, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Fear and Sadness. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Emotional journey
- Tension
- Sadness
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 47 % | 33 % | 25 % | 25 % |
| 7.5 % | ≈ 8′ | Love | 61 % | 41 % | 46 % | 30 % |
| 12.5 % | ≈ 13′ | Sadness | 71 % | 50 % | 51 % | 50 % |
| 17.5 % | ≈ 18′ | Tension | 73 % | 50 % | 44 % | 55 % |
| 22.5 % | ≈ 23′ | Sadness | 68 % | 39 % | 51 % | 44 % |
| 27.5 % | ≈ 28′ | Sadness | 61 % | 39 % | 55 % | 43 % |
| 32.5 % | ≈ 33′ | Sadness | 63 % | 38 % | 51 % | 35 % |
| 37.5 % | ≈ 39′ | Love | 65 % | 34 % | 46 % | 29 % |
| 42.5 % | ≈ 44′ | Tension | 66 % | 51 % | 40 % | 46 % |
| 47.5 % | ≈ 49′ | Tension | 70 % | 69 % | 30 % | 59 % |
| 52.5 % | ≈ 54′ | Tension | 70 % | 64 % | 30 % | 50 % |
| 57.5 % | ≈ 59′ | Sadness | 57 % | 40 % | 36 % | 38 % |
| 62.5 % | ≈ 64′ | Curiosity | 45 % | 27 % | 21 % | 34 % |
| 67.5 % | ≈ 70′ | Tension | 50 % | 40 % | 19 % | 35 % |
| 72.5 % | ≈ 75′ | Sadness | 63 % | 56 % | 34 % | 36 % |
| 77.5 % | ≈ 80′ | Tension | 74 % | 71 % | 28 % | 38 % |
| 82.5 % | ≈ 85′ | Tension | 81 % | 80 % | 23 % | 39 % |
| 87.5 % | ≈ 90′ | Tension | 80 % | 76 % | 40 % | 41 % |
| 92.5 % | ≈ 95′ | Love | 80 % | 73 % | 63 % | 35 % |
| 97.5 % | ≈ 100′ | Sadness | 83 % | 72 % | 75 % | 25 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Sonny Elliman
Alma Frechette
Chris Stuart
Amy
Denny #1
Five-Star General
Secretary of State
Details
- Directed by
- David Cronenberg
- Written by
- Stephen King, Jeffrey Boam
- Type
- Movies
- Released
- 1983
- Runtime
- 103 min
- Country
- United States of America, Canada
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





