feeldb

Terms of Endearment

1983 · 132 min · Director: James L. Brooks ★ IMDb 7.4 · 71,635 ratings

Show plot summary (may contain spoilers)

Aurora, a finicky woman, is in search of true love while her daughter faces marital issues. Together, they help each other deal with problems and find reasons to live a joyful life.

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Emotional fingerprint

Terms of Endearment (1983) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

20%Love
  1. Love20%
  2. Humor15%
  3. Relief10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Empathy, Sadness, Love. Genres: Comedy, Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Empathy
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Love

Dominant emotion: Tension

Dominant emotion: Empathy

Sadness
Empathy
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 18 %, then peaks around 88 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessEmpathyLove
2.5 %≈ 3′Humor48 %32 %33 %18 %
7.5 %≈ 10′Humor49 %28 %33 %24 %
12.5 %≈ 17′Humor44 %19 %26 %26 %
17.5 %≈ 23′Humor41 %23 %26 %25 %
22.5 %≈ 30′Sadness45 %30 %32 %29 %
27.5 %≈ 36′Love53 %30 %40 %28 %
32.5 %≈ 43′Tension55 %29 %45 %21 %
37.5 %≈ 50′Humor49 %20 %36 %26 %
42.5 %≈ 56′Humor49 %11 %24 %31 %
47.5 %≈ 63′Humor51 %14 %23 %31 %
52.5 %≈ 69′Love48 %18 %26 %35 %
57.5 %≈ 76′Humor46 %16 %28 %36 %
62.5 %≈ 83′Humor53 %28 %36 %32 %
67.5 %≈ 89′Sadness61 %46 %53 %30 %
72.5 %≈ 96′Empathy70 %56 %65 %34 %
77.5 %≈ 102′Sadness80 %68 %76 %45 %
82.5 %≈ 109′Empathy85 %76 %84 %59 %
87.5 %≈ 116′Sadness88 %83 %86 %68 %
92.5 %≈ 122′Sadness86 %83 %84 %69 %
97.5 %≈ 129′Empathy78 %72 %77 %65 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

John Lithgow

Sam Burns

LH
Lisa Hart Carroll

BK
Betty King

HF
Huckleberry Fox

TB
Troy Bishop

SS
Shane Serwin

Younger Tommy Horton

MM
Megan Morris

Melanie Horton

TY
Tara Yeakey

Baby Melanie

NB
Norman Bennett

Edward Johnson

JJ
Jennifer Josey

Young Emma

KC
Kate Charleson

Janice

TW
Tom Wees

Dr. Budge

PM
Paul Menzel

Dr. Maise

AW
Amanda Watkins

Meg

Details

Directed by
James L. Brooks
Type
Movies
Released
1983
Runtime
132 min
Country
United States of America
Genres
Comedy, Drama
Ratings
★ IMDb 7.4 · 71,635 ratings
Feels mostly
Empathy
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.