Grease 2
1982 · 115 min · Director: Patricia Birch
Show plot summary (may contain spoilers)
It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors and new members of the coolest cliques on campus, the Pink Ladies and T-Birds. Michael Carrington is the new kid in school - but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, avoid a rumble with the leader of the T-Birds, and win the heart of Pink Lady Stephanie?
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Emotional fingerprint
Grease 2 (1982) — Movie. Top emotional signals: Humor 35%, Smile 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Love. Genres: Comedy, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Love. Its IMDb rating of 4.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Love
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Love | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 45 % | 37 % | 11 % | 4 % |
| 7.5 % | ≈ 9′ | Humor | 43 % | 30 % | 12 % | 3 % |
| 12.5 % | ≈ 14′ | Humor | 41 % | 29 % | 13 % | 3 % |
| 17.5 % | ≈ 20′ | Humor | 43 % | 31 % | 14 % | 4 % |
| 22.5 % | ≈ 26′ | Humor | 43 % | 26 % | 17 % | 7 % |
| 27.5 % | ≈ 32′ | Humor | 42 % | 24 % | 26 % | 8 % |
| 32.5 % | ≈ 37′ | Humor | 45 % | 25 % | 24 % | 5 % |
| 37.5 % | ≈ 43′ | Humor | 48 % | 25 % | 16 % | 3 % |
| 42.5 % | ≈ 49′ | Humor | 49 % | 23 % | 18 % | 2 % |
| 47.5 % | ≈ 55′ | Tension | 50 % | 19 % | 21 % | 4 % |
| 52.5 % | ≈ 60′ | Humor | 47 % | 18 % | 24 % | 6 % |
| 57.5 % | ≈ 66′ | Love | 43 % | 18 % | 28 % | 7 % |
| 62.5 % | ≈ 72′ | Humor | 41 % | 19 % | 28 % | 9 % |
| 67.5 % | ≈ 78′ | Love | 46 % | 16 % | 33 % | 23 % |
| 72.5 % | ≈ 83′ | Sadness | 58 % | 11 % | 33 % | 48 % |
| 77.5 % | ≈ 89′ | Sadness | 69 % | 14 % | 35 % | 64 % |
| 82.5 % | ≈ 95′ | Sadness | 69 % | 24 % | 40 % | 54 % |
| 87.5 % | ≈ 101′ | Joy | 66 % | 41 % | 36 % | 26 % |
| 92.5 % | ≈ 106′ | Joy | 68 % | 56 % | 45 % | 8 % |
| 97.5 % | ≈ 112′ | Joy | 66 % | 58 % | 53 % | 4 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mr. Spears
Miss Yvette Mason
Brad
Sorority Girl
Details
- Directed by
- Patricia Birch
- Written by
- Ken Finkleman
- Type
- Movies
- Released
- 1982
- Runtime
- 115 min
- Country
- United Kingdom, United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





