The Last Metro
1980 · 131 min · Director: François Truffaut
Show plot summary (may contain spoilers)
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Emotional fingerprint
The Last Metro (1980) — Movie. Top emotional signals: Empathy 30%, Tension 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Tension, Sadness. Genres: Drama, Romance, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Tension and Sadness. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 37 % | 32 % | 33 % | 23 % |
| 7.5 % | ≈ 10′ | Curiosity | 38 % | 33 % | 36 % | 20 % |
| 12.5 % | ≈ 16′ | Curiosity | 35 % | 27 % | 34 % | 18 % |
| 17.5 % | ≈ 23′ | Curiosity | 40 % | 30 % | 29 % | 28 % |
| 22.5 % | ≈ 29′ | Tension | 51 % | 44 % | 28 % | 41 % |
| 27.5 % | ≈ 36′ | Tension | 54 % | 49 % | 26 % | 45 % |
| 32.5 % | ≈ 43′ | Empathy | 60 % | 55 % | 26 % | 51 % |
| 37.5 % | ≈ 49′ | Tension | 63 % | 57 % | 29 % | 50 % |
| 42.5 % | ≈ 56′ | Relief | 49 % | 43 % | 31 % | 34 % |
| 47.5 % | ≈ 62′ | Curiosity | 44 % | 36 % | 33 % | 26 % |
| 52.5 % | ≈ 69′ | Tension | 46 % | 40 % | 30 % | 28 % |
| 57.5 % | ≈ 75′ | Tension | 44 % | 39 % | 30 % | 25 % |
| 62.5 % | ≈ 82′ | Tension | 46 % | 41 % | 35 % | 23 % |
| 67.5 % | ≈ 88′ | Relief | 49 % | 41 % | 35 % | 24 % |
| 72.5 % | ≈ 95′ | Relief | 49 % | 39 % | 31 % | 28 % |
| 77.5 % | ≈ 102′ | Tension | 54 % | 46 % | 32 % | 31 % |
| 82.5 % | ≈ 108′ | Tension | 60 % | 55 % | 40 % | 34 % |
| 87.5 % | ≈ 115′ | Tension | 60 % | 54 % | 45 % | 38 % |
| 92.5 % | ≈ 121′ | Curiosity | 56 % | 44 % | 40 % | 41 % |
| 97.5 % | ≈ 128′ | Love | 57 % | 37 % | 33 % | 43 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lucien Ballard, Bernard's Replacement
Desk Clerk
Valentin
Mrs Wiedekind
Marc, Jean-Loup's Assistant
Jacquot's Mother / Concierge
Rosen, rejected actor
Christian Leglise
Greta Borg, Nightclub Singer
Yvonne, chambermaid
Details
- Directed by
- François Truffaut
- Written by
- François Truffaut, Suzanne Schiffman
- Type
- Movies
- Released
- 1980
- Runtime
- 131 min
- Country
- France
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
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